What motivated Adolf Tolkachev to begin spying for the CIA? Was it for money? Did he require an ego boost? Was it based on his hatred of the Soviet system? It likely was a combination of all three. But what mattered most to the CIA was that Tolkachev was delivering a treasure trove of Soviet military secrets during a critical period of the Cold War. Tolkachev’s daring exploits are described in riveting detail in David E. Hoffman’s The Billion Dollar Spy.
There’s probably no place that’s ideal for a teenage boy to realize he’s gay, but among the truly suboptimal locations consider San Antonio, Texas. The heat melts all the product out of your hair, and there’s a good chance your classmates know your secret before you do and are prepared to start torturing you well in advance of your coming out. So it was for David Crabb.
Nowadays, the title of a nonfiction book is almost invariably followed by a phrase hyping the contents, including words like incredible, survival or secret. No such subtitle is needed for two-time Pulitzer Prize winner David McCullough’s latest book, The Wright Brothers, even though it contains all three elements.
While they are often roped together as Western or regional writers (narrow classifications they both loathed), and their prime writing years and geographic terrain overlapped to a degree, there could not have been two more different writers—or men—than Wallace Stegner and Edward Abbey.
Tad the tadpole’s dad is a phenomenal frog. With large, noisy Dad as inspiration, Tad learns to sing loudly (especially early in the morning), swim fast and snap up flies with his sticky tongue. Tad follows Dad everywhere, preferring Dad’s lily pad to his own cozy pondweeds. But as Tad grows from happy tadpole to spirited frog, Dad’s lily pad gets smaller, as does Dad’s patience for sleepless nights.
In this sprawling, emotionally enrapturing and mostly autobiographical tale, a talented lad comes of age in the harsh shadows of Northern England’s shipyards.
YA novels have been written in the form of letters, diary entries, text messages . . . and now, in a long-anticipated follow-up to John Green and David Levithan’s collaboration Will Grayson, Will Grayson, the script of a musical theater production. In Green and Levithan’s original book, the 16-year-old openly gay, bodily large and ironically named “Tiny” Cooper writes and directs a musical, which fans now have the chance to read in its entirety.
David Arnold makes his YA debut with Mosquitoland, the tale of a teen runaway on a 947-mile journey to find her mother. It all begins on a Greyhound bus, but dangers big and small make Mim's journey treacherous and transformative. "I am Mary Iris Malone," our heroine says, "and I am not okay." Through letters to a character named Isabel, as well as through clever, authentic narration, she reveals the confusion, pain and heartwrenching vulnerabilities that spurred this epic journey. BookPage met Arnold when he came through Nashville promoting his book, and it was a delight to pick this new author's brain.
It takes a special talent for an author to tap into the mind of a character who is radically different from himself, and first-time novelist David Arnold has uncannily captured the voice of a 16-year-old girl with beauty and style in Mosquitoland.
Crime fiction groupies can usually form a pretty quick mental picture of the cop, PI or little old lady detective in any new mystery novel, and that take remains, embedded in the reader’s imagination, for the duration of the story.