Sarah J. Maas swept readers away with her wildly popular Throne of Glass series, a high fantasy partially inspired by Disney's Cinderella. For her new series, Maas draws from a whole new set of fairy tales—and takes the romance to a new level. We contacted Maas to talk about myths, world-building and other sexy things.
Nationhood was never a goal of the American Revolution. The Declaration of Independence refers to “Free and Independent States.” After the Revolutionary War ended, a majority of the population was opposed or indifferent to a transition from individual states to a federal government. In his brilliant and exciting new book, The Quartet: Orchestrating the Second American Revolution, 1783-1789, historian Joseph J. Ellis tells the story of how a small group of leaders, disregarding popular opinion, took the American story in a new direction
Easter is a time for self-discovery and reflection on relationships, faith and the soul. Five new books offer fresh perspectives to help readers find God, themselves and each other, and renew their hearts for another year.
The African-American struggle continues in every corner of the nation, from small towns like Ferguson, Missouri, to the boroughs of New York. Thus, Black History Month arrives at a critical time in America. The question is: Can we learn from history? These selections shed new light on the black experience and offer perspectives on the often painful evolution of race relations in America.
In the title story of J. Robert Lennon’s new collection of short fiction—a book 15 years in the making—a man stumbles, surreally, into a kind of dream job on a tropical island, only to sense that something’s not quite right.
This month's Lifestyles column features paper-based projects, inventive ways to wrap packages and a guide to DIY home decor.
The baffling 1922 murder of director William Desmond Taylor gets true-crime treatment in Tinseltown, a compelling interweaving of star power, the machinations of power brokers and the desperation of the wannabes and the washed up. Together they provide the book’s apt subtitle: “Murder, Morphine, and Madness at the Dawn of Hollywood."
While we all know George Washington as our first president and leader of American forces in the Revolutionary War, in The Return of George Washington: 1783-1789, Pulitzer Prize-winning historian Edward J. Larson illuminates another key role he played: leading the Constitutional Convention.
Abigail (don’t call her “Abby”) is so excited about starting sixth grade, she has to make lists just to calm herself down. She’s ready to rule the school with best friends Alli and Cami and their wicked pom pom choreography when disaster strikes three times over: Abigail ends up in a different homeroom than her friends; she doesn’t make the pom squad; and her homeroom teacher pairs her with wildly unpopular Gabby Marco for a year-long letter writing assignment. Always, Abigail is a story of friendship found in unexpected places, and the cost of kindness versus popularity.
Miles J. Unger’s magisterial new biography, Michelangelo: A Life in Six Masterpieces, tells its subject’s life story through the lens of his art—appropriately so, given Michelangelo’s willful transmutation of the role of the Renaissance artist. When Michelangelo began his apprenticeship, artists were seen as little more than craftsmen, churning out statuary and paintings to decorate the villas and churches of the wealthy nobility. Michelangelo’s greatest achievement—in Unger’s portrayal—is not to be found in his artwork (the statue of David or the ceiling of the Sistine Chapel) but rather in his creation of the artist himself as secular genius.