New York Times best-selling author Nora Roberts kicks off her new Guardians trilogy with Stars of Fortune. Artist and near-recluse Sasha Riggs has suddenly began dreaming—and drawing—five people.
“The one percent” has entered the lexicon to describe those lucky and/or greedy few for whom money is literally no object, recalling Fitzgerald’s adage that they are effectively superhuman. Robert Goolrick’s electric third novel, The Fall of Princes, instead points to Hemingway’s rejoinder: The only thing separating the rich from others is that they have more money.
Christie Brinkley, Cheryl Tiegs, Jean Shrimpton, Christy Turlington, Naomi Campbell: Name a famous model, and more likely than not, she was once represented by Eileen Ford, who started her eponymous modeling agency with husband Jerry in 1947 and built it into an international powerhouse.
Graphic novels are all the rage with young readers these days, but this fact can be frustrating for adults who are trying to encourage kids to read more complex material. Thank goodness veteran comic-book creators Robert Venditti and Dusty Higgins have created a hybrid sure to satisfy both camps in Miles Taylor and the Golden Cape: Attack of the Alien Horde. Sixty-five of the 304 pages are comic panels drawn by Higgins, while the rest is prose written by Venditti.
Clearly it’s not just cats that have nine lives. In Robert Weintraub’s exceptionally well researched and engaging No Better Friend, we meet Judy, a purebred English pointer and hero of World War II.
In the title story of J. Robert Lennon’s new collection of short fiction—a book 15 years in the making—a man stumbles, surreally, into a kind of dream job on a tropical island, only to sense that something’s not quite right.
Global and ravenous, modern capitalism has turned American citizens into mere consumers, people who are focused principally on their own gratification and essentially indifferent to the needs of the larger society. This, in a nutshell, is Paul Roberts’ thesis in The Impulse Society.
Journalists typically don’t like to write about themselves. It comes from years of writing in the third person and striving for objectivity. And with so many critics of the press, reporters assume no one likes them. Robert Timberg grapples with this issue in his moving memoir, Blue-Eyed Boy. After nearly 40 years as a journalist and three noteworthy books, perhaps he has a story to tell. But he also has self-doubts. Then he looks in the mirror and sees his disfigured face. It is an image he has been trying to forget since 1967, when as a young soldier in Vietnam, just days away from the end of his tour, he suffered third-degree burns from a land mine explosion. He finally decides to confront this defining moment of his life. “I want to remember how I decided not to die,” he writes. “To not let my future die.”
Robert L. O’Connell’s Fierce Patriot: The Tangled Lives of William Tecumseh Sherman includes a photograph of the celebrated Civil War general with his staff. While the other men strike classic poses and gaze into the middle distance, Sherman sits slightly slumped, legs crossed, jacket unbuttoned, glittering eyes focused directly on the camera. It fits with the popular notion of Sherman, the man who invented “modern war” and whose soldiers burned a path of destruction through the American South.
Terms & Conditions, the first novel from promising author Robert Glancy, is a mystery tale unraveled through the frequent use of footnotes. While this may not seem like the pitch for an engrossing storyline, Glancy’s witty tone and keen insight into human nature help make this book not just readable but highly enjoyable.