As this is my first review written from within the confines of my tiny Tokyo apartment, it seems especially fitting to lead off with a Japanese author. Asa Nonami makes her first foray into English-language mysteries with The Hunter, translated by the talented Julia Winters Carpenter, who impressed readers (including this one) with her English rendering of Miyuki Miyabe's 2004 thriller, Shadow Family. Originally released in Japan in 1996, where it won the prestigious Naoki Prize, The Hunter stands poised to take aim at Western markets this month. The heroine, beleaguered police detective Takako Otomichi, is as complex and conflicted a protagonist as any in recent memory. The product of an affirmative-action type program to bring more females into positions of power in the workplace, Otomichi is by turns coddled, patronized and outright dissed by her co-workers. On top of that, she is recently divorced, her sister is semi-suicidal, her mother is a harpy and her new partner is a misogynist of the first order. Otomichi's latest assignment finds her hot on the trail of a murderous canine, possibly a cross between a large dog and a wolf. Surprisingly, there is a society, albeit a loosely knit and somewhat clandestine one, that promotes the breeding of these clever and ferocious animals; to Otomichi's dismay, the key figures all seem to be cops. And what's a girl to do when the cops all stick together to keep a female officer out of the loop? The answer, of course, is to stay one step ahead, to beat the bullies at their own game, a task that Otomichi is well up to. The Hunter is a first-rate page-turner, sure to have readers queuing up for a sequel.