Novelist Gail Godwin has chosen an unusual conceit for her new book, Publishing: A Writer’s Memoir. As the title suggests, Godwin—best known, perhaps, for the National Book Award finalist A Mother and Two Daughters—has shaped her memories not so much around her personal life or even the writing life, but largely around her experiences within the world of publishing. It is an industry that has changed dramatically since Godwin brought out her first book in 1970, and she has ridden its ups and downs, not always suffering fools gladly.
Three novels explore the deep influence human relationships can have on a life.
Three books following unconventional lives make great picks for reading groups this month.
Three novels exploring the complexity and resilience of the human spirit make great picks for reading groups this month.
Two excellent crime novels and a polished memoir on dying make for great listening.
Excellent books from Charles Finch, Lachlan Smith and former secretary of defense Robert Gates make for great listening.
Was John Updike one of America’s great writers or merely, as Harold Bloom famously said, “a minor novelist with a major style”? In Updike, his meticulously detailed and highly readable new biography—the first full-fledged life of the writer, who died in 2009—Adam Begley makes a convincing case for the former view while providing a rich account of the events that shaped Updike’s fiction.
This month's Audio column has something for everyone: mystery lovers, readers of inspiring memoirs and seekers of exciting new voices in fiction.
Three of our favorite books of 2013 are now available in paperback, including Chimamanda Ngozi Adichie's astounding third novel. These books are guaranteed to delight and spark discussion in your reading group.
George Eliot’s Middlemarch is a crowning achievement among Victorian novels—a canon with its fair share of weighty masterworks. Admired by generations of writers, including Virginia Woolf, who called it “one of the few English novels written for grown-up people,” it holds primacy of place on many readers’ “to be read” lists, though many probably never get to the somewhat daunting task. Not so Rebecca Mead, a staff writer for The New Yorker, who first read the novel when she was 17 and has re-read it many times since.