This month's Lifestyles column features the secrets and science behind the world's best coffee drinks, a quick guide to opening your own online store and a charming DIY guide to book making.
Millions of readers love The Great Gatsby, but perhaps none more than Maureen Corrigan. In her enthusiastic new book, So We Read On: How The Great Gatsby Came to Be and Why It Endures, the NPR book reviewer and Georgetown University lecturer makes an impassioned case that Fitzgerald’s novel should be a strong contender for the “Great American Novel.” Fair enough. She also argues that while most educated readers have read the book, few have given it the consideration it deserves. In view of its enduring stature and sales, this is a hard claim to disprove, but, certainly, few of us have spent as much time with the novel as Corrigan, who, by her own estimate, has read Gatsby some 50 times.
This month's Lifestyles column includes one-yard sewing projects, a fascinating history of our most useful plants and a look into the local food movement.
I once belonged to a reading group where one member, no matter what book we were discussing, would invariably ask, “Who would you cast as . . . ?” In all fairness, he was a screenwriter, but his perennial need to graft the face of some Hollywood star onto a given character in a novel could be irritating. As I read Peter Mendelsund’s quirky and fascinating What We See When We Read, I came to the realization that this casting device may have been this reader’s imperfect way of visualizing what he was reading.
War and Peace. The very title incites both awe and no small measure of dread in many a reader’s heart. Indisputably one of the major achievements of the western literary canon—many would argue the greatest—Tolstoy’s masterwork is daunting in length and scope. At some 1,500 pages (depending on the typeface, of course), divided into 361 chapters, with nearly 600 characters, its sprawling narrative spans the eight years of Napoleon’s 1805-1812 invasion of Russia and beyond. It is a perennial bestseller, but how many who buy it actually read it?
Listen up! With finance, mystery and historical fiction titles, this month's audio column has something for everyone.
In our 21st-century world, it seems disarmingly quaint that an entire printing of Dubliners was destroyed in 1912 for being obscene because James Joyce dared to use the colloquialism “bloody.” In the ensuing years, high-minded censors in both Britain and America continued to attack Joyce’s work, striving to keep his magnum opus, Ulysses, out of the hands of readers. Conventional minds were shocked by the book’s candid depictions of sexual and scatological matters and the “filthy” language Joyce used to portray them. The censors had the upper hand at first, but their campaign ultimately backfired, as the legal challenge to publish and distribute Ulysses transformed the culture and the laws that had tried to control it.
Like the Vietnam War a generation or so later, the Spanish Civil War was a localized conflict that took on global resonance. Major Western powers adopted an official hands-off policy toward the Iberian struggle between socialists and fascists, afraid to upset the fragile diplomatic balance in the uneasy Europe of the 1930s. Still, the bloody hostilities gained the wider public’s attention and sympathies, in no small part due to a coterie of impassioned journalists and intellectuals who took up the cause of Spain. In her meticulously researched and beautifully told new book, Hotel Florida, Amanda Vaill refracts the turbulent events that took place between July 1936 and March 1939 through a prism of six such determined believers.
Two excellent crime novels and a polished memoir on dying make for great listening.
Excellent books from Charles Finch, Lachlan Smith and former secretary of defense Robert Gates make for great listening.