Novelist Gail Godwin has chosen an unusual conceit for her new book, Publishing: A Writer’s Memoir. As the title suggests, Godwin—best known, perhaps, for the National Book Award finalist A Mother and Two Daughters—has shaped her memories not so much around her personal life or even the writing life, but largely around her experiences within the world of publishing. It is an industry that has changed dramatically since Godwin brought out her first book in 1970, and she has ridden its ups and downs, not always suffering fools gladly.
Three novels explore the deep influence human relationships can have on a life.
Azar Nafisi’s Reading Lolita in Tehran, with its intriguing and evocative title, was an international bestseller that fed Western readers’ appetite for learning about life under a fundamentalist regime. Her new book, The Republic of Imagination, bears some of the hallmarks of that success—literary criticism blended with personal history—but it flips the equation, offering an assessment of Nafisi’s adopted country (she became an American citizen in 2008) through the lens of her passion for literature.
Three books following unconventional lives make great picks for reading groups this month.
In our media-saturated Age of Celebrity, it can be hard to fathom that there was once a time when people were not famous merely for being famous. While today we think of Oscar Wilde as an eminent playwright and novelist, he was one of the first self-made public figures, who crafted his persona and gained widespread renown long before he had done anything of much note. An early impetus behind his fame was a lecture tour he made to the United States in 1882, when he was only 27 years old and the author of one tepidly reviewed, self-published volume of verse.
This month's Lifestyles column features the secrets and science behind the world's best coffee drinks, a quick guide to opening your own online store and a charming DIY guide to book making.
Millions of readers love The Great Gatsby, but perhaps none more than Maureen Corrigan. In her enthusiastic new book, So We Read On: How The Great Gatsby Came to Be and Why It Endures, the NPR book reviewer and Georgetown University lecturer makes an impassioned case that Fitzgerald’s novel should be a strong contender for the “Great American Novel.” Fair enough. She also argues that while most educated readers have read the book, few have given it the consideration it deserves. In view of its enduring stature and sales, this is a hard claim to disprove, but, certainly, few of us have spent as much time with the novel as Corrigan, who, by her own estimate, has read Gatsby some 50 times.
This month's Lifestyles column includes one-yard sewing projects, a fascinating history of our most useful plants and a look into the local food movement.
I once belonged to a reading group where one member, no matter what book we were discussing, would invariably ask, “Who would you cast as . . . ?” In all fairness, he was a screenwriter, but his perennial need to graft the face of some Hollywood star onto a given character in a novel could be irritating. As I read Peter Mendelsund’s quirky and fascinating What We See When We Read, I came to the realization that this casting device may have been this reader’s imperfect way of visualizing what he was reading.
War and Peace. The very title incites both awe and no small measure of dread in many a reader’s heart. Indisputably one of the major achievements of the western literary canon—many would argue the greatest—Tolstoy’s masterwork is daunting in length and scope. At some 1,500 pages (depending on the typeface, of course), divided into 361 chapters, with nearly 600 characters, its sprawling narrative spans the eight years of Napoleon’s 1805-1812 invasion of Russia and beyond. It is a perennial bestseller, but how many who buy it actually read it?