This month's best new mysteries include an inventive debut, a humorous island romp, Nesbø’s latest Swedish thriller and a complex tale of crime in Toronto.
Three novels explore the hardships, complexities and a few triumphs within families, from the 1920s homestead to present-day Europe, make for great group discussion this month.
This month's best new mysteries include four top-notch, globe-trotting tales that will keep you on the edge of your seat.
This month's best new mysteries range from an environmental lawyer's latest investigation to Anne Hillerman's second Leaphorn and Chee novel and Walter Mosley's latest.
This month's best new mysteries include a genre-bending Swedish suspense novel, a suspicious death in the Everglades, a murderous plan gone awry and a dark cold case.
This month's best new mysteries include a cold case captured in a photograph, a puzzling standalone set in Scotland, the second installment in a hit French series and the newest Thorn novel.
Was John Updike one of America’s great writers or merely, as Harold Bloom famously said, “a minor novelist with a major style”? In Updike, his meticulously detailed and highly readable new biography—the first full-fledged life of the writer, who died in 2009—Adam Begley makes a convincing case for the former view while providing a rich account of the events that shaped Updike’s fiction.
This month's best new mysteries include a deadly oil spill, a charming francophile's mystery, the finale to Leif GW Persson's Story of a Crime Trilogy, plus an "ink-dark" psychological thriller from Kem Nunn.
Big shoes! Those are what Anne Hillerman has to fill in taking over for her father, the late best-selling writer Tony Hillerman, beloved by critics and readers alike for his iconic Navajo mysteries, which spanned a whopping 36 years. Longtime Hillerman (père) protagonists Joe Leaphorn and Jim Chee are both on hand for Anne Hillerman’s debut novel, Spider Woman’s Daughter, but...
Sandpaper is graded by a “grit number”—the lower the number, the rougher the texture (600-grit is very fine, 40-grit is quite coarse). By that measurement, Dan Fante’s Point Doom should be accorded a grit number of about negative 10, as it would be a rare case indeed when you would find so many murders, dismemberments and graphic examples of creative torture encased in...