Each year since 1915, a volume of Best American Short Stories has been published, offering a selection of the finest short fiction that has appeared in magazines and journals throughout the year. To celebrate the centenary, editors Lorrie Moore and Heidi Pitlor have compiled a best of the best collection, 100 Years of the Best American Short Stories.
It is arguably America’s most famous and favorite poem. But do we really know what Robert Frost’s “The Road Not Taken” is about? Not so much, says David Orr.
Shirley Jackson, who died 50 years ago this month at the much too early age of 48, left behind a solid literary opus anchored in two indelible works: the iconic short story “The Lottery” and the classy ghost story novel, The Haunting of Hill House. Let Me Tell You collects 29 stories, including 21 that have never before been published, as well as many essays and humor pieces.
For all its sexual perversity, Vladimir Nabokov’s Lolita is at heart a master send-up of the particularities of mid-20th-century American culture. It is a measure of the genius of the non-native English-speaking Nabokov that he crafted the novel’s dazzling prose, of course, but it is just as impressive that this Russian-born writer captured the nuances of an alien culture with such precision and wit. In his new study, Nabokov in America: On the Road to Lolita, Robert Roper focuses on the émigré’s time in the United States and how it gave birth to his most famous book.
War and Peace. The very title incites both awe and no small measure of dread in many a reader’s heart. Indisputably one of the major achievements of the western literary canon—many would argue the greatest—Tolstoy’s masterwork is daunting in length and scope. At some 1,500 pages (depending on the typeface, of course), divided into 361 chapters, with nearly 600 characters, its sprawling narrative spans the eight years of Napoleon’s 1805-1812 invasion of Russia and beyond. It is a perennial bestseller, but how many who buy it actually read it?
In our 21st-century world, it seems disarmingly quaint that an entire printing of Dubliners was destroyed in 1912 for being obscene because James Joyce dared to use the colloquialism “bloody.” In the ensuing years, high-minded censors in both Britain and America continued to attack Joyce’s work, striving to keep his magnum opus, Ulysses, out of the hands of readers. Conventional minds were shocked by the book’s candid depictions of sexual and scatological matters and the “filthy” language Joyce used to portray them. The censors had the upper hand at first, but their campaign ultimately backfired, as the legal challenge to publish and distribute Ulysses transformed the culture and the laws that had tried to control it.
Was John Updike one of America’s great writers or merely, as Harold Bloom famously said, “a minor novelist with a major style”? In Updike, his meticulously detailed and highly readable new biography—the first full-fledged life of the writer, who died in 2009—Adam Begley makes a convincing case for the former view while providing a rich account of the events that shaped Updike’s fiction.
Not unlike Frankenstein, that other Gothic masterwork of the 19th century, Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde—originally published in 1886—is a surprisingly slight book whose enduring impact has far outstripped its original ambitions. At barely a hundred pages, it is a quickly read novella, as noteworthy for what is left unsaid as for what is portrayed. This classic good vs. evil fable has provided the template and inspiration for an array of adaptations and interpretations over the last century and a quarter. The latest is Hyde, Daniel Levine’s ambitious and imaginative literary debut.
The genius writer as self-destructing alcoholic is a cliché, but as with all clichés, it originates in truth. Faulkner, Dylan Thomas, Poe, Dorothy Parker, Anne Sexton—it gets to be a very long list once you begin compiling. In The Trip to Echo Spring: On Writers and Drinking, Olivia Laing offers a singular amalgam of biography, memoir, travelogue and literary criticism as...
This year marks the 40th anniversary of the death of Nobel Prize-winning Chilean poet Pablo Neruda, whom Gabriel García Márquez has called “the greatest poet of the 20th century in any language.” Such blanket assessments are subjective, of course, and impossible to support, but there is no denying that Neruda is that rare modern poet whose work achieved a global reach—nearly...