The Folded Clock, as crafted by novelist Heidi Julavits, is intricate and delicately worked. Time doesn’t flow linearly in this memoir as we might expect. What at first glance appears to be the diary of a writer in her 40s living an enviable life—an apartment in Manhattan, a house in Maine, sabbaticals in Europe—turns into a structure more complex, like an origami crane. Meditations on marriage and friendship appear and reappear. Diary entries might skip six months, or jump back a year. Julavits arranges the raw material of her diary in such a way as to provoke insight across the units of time that we normally experience: the day, the week and the month.
Quirky and raw, Kevin Sessums’ new memoir, I Left It on the Mountain, has all my favorite survival themes, plus cameos from Hugh Jackman and Courtney Love.
In St. Augustine’s Confessions (one of the first spiritual memoirs), he famously prayed “Lord, make me good, but not yet.” In his powerful, visceral new memoir, celebrity journalist Kevin Sessums, like a modern St. Augustine, testifies to the life-threatening pull between carnality and spirituality in his own life.
Alexandra Fuller’s hardscrabble African lyricism returns in her third memoir, which focuses on the push-pull of her marriage to American adventurer Charlie Ross. Although much of Leaving Before the Rains Come is set in Wyoming, where Fuller settles uncomfortably into American domesticity, her war-torn childhood in colonial Rhodesia (now Zimbabwe) and the drunken pragmatism of her parents continue to shape her worldview.
For women of a certain age, Brooke Shields was our more perfect sister. In 1980, I didn’t understand what “nothing comes between me and my Calvins” meant any more than Brooke herself did. But I knew I needed a pair of those jeans.
A few years ago, I taught Jon Krakauer’s Into the Wild in a college freshman writing class. I thought the story of Chris McCandless, who turned his back on civilization to hike into the Alaskan wilderness, would resonate with undergraduates. Chris’ tragic journey may have ended with his death, but his quest for purity and adventure was inspirational. Or so I thought.
Fire Shut Up in My Bones is a stunning coming-of-age story that tracks New York Times columnist Charles M. Blow’s rise from a poverty-stricken childhood in Louisiana to the respected journalist he is today. An introspective and poetic memoir about race, masculinity and sexuality, it also reckons with the impact of childhood sexual abuse on the core of his identity.
Pioneering journalist Gail Sheehy has lived a life jam-packed with work, love, politics and writing. Best-selling author of 1976’s Passages, which revolutionized the way Americans thought about the phases of their adult lives, Sheehy has spent a lifetime documenting American culture. Now in her 70s, she casts a retrospective eye on the chapters of her own life in an absorbing new memoir.
There are many reasons to love a good misery memoir: In my case, reading about other people’s dysfunctional childhoods offers a sense of community, a sisterhood of resilient Gen Xers who survived a 1970s childhood. Cea Sunrise Person’s engaging new memoir, North of Normal, evokes both the miserable excesses and occasional beauty of growing up in a counterculture family in the wilderness of the Me Decade.
It’s hard to know whether to call Boyd Varty’s Cathedral of the Wild a memoir, a true adventure story or a self-help book. All I know is that it made me cry with its hard-won truths about human and animal nature, distilled by Varty from his experiences living on Londolozi, the game reserve his family runs in South Africa.