Lawyer Carrie La Seur makes her debut as a novelist this month with The Home Place, a searing novel about the power of family bonds that is also a compelling whodunit. Set against the stark backdrop of rural Montana, a place that big-city lawyer Alma Terrebonne thought she’d escaped forever, the novel follows Alma’s search for the reasons behind her estranged sister’s untimely death. We asked La Seur a few questions about writing, Montana and the draw of family.
Nobody has ever taken care of Mia Dennett. Her upwardly mobile parents didn’t do it. Her uptight older sister didn’t do it. So the talented inner-city art teacher has learned to take care of herself. Or so she thinks, until an impulsive one-night stand turns into a nightmare far beyond Mia’s control. But why does her abductor seem so uncertain about his plans for her? Why did he choose to hide her in a remote Minnesota cabin rather than turn her over to the man who hired him? Was it an act of mercy, or something else entirely?
Mary Kubica’s debut, The Good Girl, is a constant game of cat and mouse. In this tense psychological thriller, Mia Dennett’s abduction poses questions about relationships, their boundaries and their limits.
At first glance, Ove looks like a Grumpy Old Man with a Saab—a typical curmudgeon, not the type whose depths one is tempted to plumb. In fact, unless you like being scowled at, scolded, insulted and having doors slammed in your face, you might just decide to avoid him altogether. He wouldn’t mind; the only person he wants to see is his wife, who died six months ago.
“There are often two conversations going on in a marriage,” short-story writer Robin Black claims in her debut novel, Life Drawing. “The one that you’re having and the one that you’re not. Sometimes you don’t even know when that second, silent one has begun.” One could suggest that there are two conversations going on in this quiet, yet exquisitely crafted novel: the conversation between Augusta (Gus) and her husband Owen, and the conversation they’re not having, about Gus having cheated on him.
If you've ever wondered whether modern art is trash disguised by critical theory or whether critical theory is trashy modern art, Will Chancellor's debut novel, A Brave Man Seven Stories Tall, may settle the wager. It is a spirited sendup of the frauds found in art, academia and their "liminal" intersections.
Erika Johansen’s new novel, The Queen of the Tearling, uses a familiar fantasy premise: a special child—a chosen one, if you will—is born, and then hidden from those with murderous intent. As the book opens, it is 19 years later, and the time has come for Kelsea Glynn, the rightful queen of a benighted land, to leave hiding and assume her throne.
Early on in Rufi Thorpe’s elegant yet intense debut novel, the narrator, Mia, makes a prescient observation: “Normally, friendships between girls are stowed away in boxes of postcards and ticket stubs, but whatever was between me and Lorrie Ann was not so easy to set aside.”
The lives of twin siblings are often deeply intertwined—first physically, and later emotionally, mentally and spiritually—and Josh Weil’s The Great Glass Sea explores the tender, yet tenuous, relationship between Russian twin brothers Yarik and Dima. Though they have been inseparable since childhood, life with the Oranzheria, a sea of glass stretching over a section of the country to make the largest greenhouse in the world, is slowly pushing them apart.
Laura Lane McNeal’s debut novel is a gift to readers who long for an iced-tea-sipping, front-porch-swing kind of escape. With Dollbaby, McNeal took this New Orleans native on a trip back to my hometown, complete with the smells, landmarks and traditions that make me proud to call the Crescent City home.