In John Irving’s 14th novel, aging Mexican-American novelist Juan Diego Guerrero travels from his home in Iowa to the Philippines. He plans to fulfill a decades-old promise he made to a Vietnam draft dodger to honor a father killed during World War II, and takes a former writing student as his tour guide. En route to Manila, he is overtaken and seduced by a ghostly mother-daughter duo: fans of Juan Diego’s novels, who will reappear in unexpected, -sexually-charged moments throughout his journey. Going on and off his blood pressure medications, he travels in an almost hallucinatory state. He dreams.
It’s sometimes amazing to realize how an obsession for sports can take over a life. In John L. Parker Jr.’s amiable new work, a prequel to his 1978 bestseller Once a Runner, Quenton Cassidy, teenage native of Citrus City, Florida, is so wrapped up in his athletic pursuits that the great upheavals of his era—the Cuban missile crisis, the assassination of JFK, civil rights and the arrival of the Beatles for goodness’ sake!—stick in his mind the way anything sticks to Teflon.
The final chapter in Lev Grossman's Magicians Trilogy, a suspenseful historic account of a perilous voyage and a National Book Award finalist make for great reading this month.
Who is Sean Phillips? And how did he end up like this? That’s the central conceit of John Darnielle’s Wolf in White Van, a compact but wide-ranging novel that follows -Sean’s development from unpopular teenager to reclusive adult.
In Station Eleven, Emily St. John Mandel envisions the world after a major flu pandemic has wiped out most of the population, though the themes in the book feel more timeless than typical for the post-apocalyptic genre. (What makes a fulfilling life? Is art worth saving when there’s so little left on earth?) We caught up with St. John Mandel about her suspenseful and intelligent new book.
The end of the world might seem like an odd time to care about music and art; why worry about Shakespeare when civilization has collapsed? But in Canadian writer Emily St. John Mandel’s Station Eleven, it seems perfectly plausible that a Traveling Symphony would cross the wasteland that exists 20 years after most of the world’s population has died from a flu epidemic.
An intriguing hybrid of Asimovian I, Robot-flavored sci-fi, the quasi-contemporary speculative fiction of William Gibson and the enjoyable detective/crime procedural work of . . . well, countless writers, John Scalzi’s latest novel, Lock In, interweaves the threads of a number of familiar genre conventions to impressive effect.
A survey of a few recent horror movies (The Conjuring, Insidious 2, etc.) suggests that hauntings OF the children, BY the children and FOR the children are in. And why not? There’s really nothing creepier than a threat coming either from a ghostly child or toward a living child from some post-mortem parental entity. Three books investigate this disturbing psychological terrain, with...
Once among the best-selling novelists in the country, John O’Hara has largely fallen by the literary wayside since his death in 1970. The many movies made from his books, including BUtterfield 8 and Pal Joey, still cycle through on old movie channels, but his readership is scant compared to such near-contemporaries as Hemingway and Fitzgerald. Penguin Classics hopes to resurrect...
Fin Dolan, advertising agency copywriter and narrator of John Kenney’s engaging first novel, is approaching his 40th birthday while still “waiting for my life to begin.” That Kenney, who brings to this story his own experience of 17 years in the advertising business, is able to transform a man who’s basically drifting through life into such an appealing character is a...