In his 2009 bestseller One Day, British actor-turned-screenwriter-turned-novelist David Nicholls traced the inevitable romantic collision of star-crossed college acquaintances via snapshots, taken on the same calendar date each year, over their 20-year journey to togetherness.
Peter Schoeffer has no choice. Johann Fust raised him as his own son, and Peter owes him everything—even if that means he must do the work of the devil.
Newcomers to Caitlin Moran’s candor and upfront feminist sensibility should prepare themselves: How to Build a Girl is an earthy, sometimes outrageous but always funny story about a 1990s teenager from an eccentric family in a Northern England council house who becomes a rock critic.
A chance discovery of an old biography at The Strand inspired journalist Alix Christie's debut novel, Gutenberg's Apprentice, which tells the story of the invention of moveable type and the printing of the Gutenberg Bible. In this essay, Christie explains how her lifelong love of letterpress printing left her uniquely suited to fictionalize this remarkable true story.
Feminist, columnist, activist, humorist, memoirist—Caitlin Moran is a woman of many descriptors. She can now add "novelist" to that list: How to Build a Girl goes on sale this week. Something of a roman à clef, this hilarious, poignant and no-holds-barred coming-of-age tale stars a girl from a council estate in the Midlands who, like Moran herself, became a rock critic at a young age. We asked Moran a few questions about her fiction debut.
The Story of Land and Sea follows three generations of a Revolutionary-era family struggling with life and death, freedom and slavery as they make a life in a small coastal town in North Carolina. Ten-year-old Tabitha is enthralled by her father’s stories of the sea and of his elopement aboard ship with her mother, Helen, whom she never knew. John gave up the sea when Tabitha was born and Helen died, returning to it only when he feels his last hope lies in the healing salt air.
If you've ever wondered whether modern art is trash disguised by critical theory or whether critical theory is trashy modern art, Will Chancellor's debut novel, A Brave Man Seven Stories Tall, may settle the wager. It is a spirited sendup of the frauds found in art, academia and their "liminal" intersections.
Erika Johansen’s new novel, The Queen of the Tearling, uses a familiar fantasy premise: a special child—a chosen one, if you will—is born, and then hidden from those with murderous intent. As the book opens, it is 19 years later, and the time has come for Kelsea Glynn, the rightful queen of a benighted land, to leave hiding and assume her throne.
Whether they feel watching eyes or hear the sound of quickening footsteps behind them, the potential victims in these unnerving stories sense a predator’s approach, and so can we. As these characters hurry to the relative safety of their homes and rush to lock the doors behind them, readers of these smart and suspenseful books will be turning pages faster and faster in hopes of catching the criminal before it’s too late.
Slava Gelman has it made in Boris Fishman’s debut, The Replacement Life. With a junior staff position at a prestigious literary magazine, a Manhattan apartment and an assimilated American girlfriend, he’s more than just miles away from his childhood in Minsk or the Russian enclave in Brooklyn where the rest of his family lives. But when Slava is woken by an early morning phone call from his mother, his carefully constructed life threatens to come crashing down around him.