In Saul Bellow's Herzog, the eponymous main character expresses his borderline lunacy by writing letters to everyone, including the IRS. The narrator of Joseph O'Neill's fourth novel, The Dog, expresses his unease by mentally composing emails, replete with emoticons and nested parentheses.
The end of the world might seem like an odd time to care about music and art; why worry about Shakespeare when civilization has collapsed? But in Canadian writer Emily St. John Mandel’s Station Eleven, it seems perfectly plausible that a Traveling Symphony would cross the wasteland that exists 20 years after most of the world’s population has died from a flu epidemic.
A notable tourist attraction in Thailand is the bridge “over the River Kwai”—part of the Death Railway built during World War II by the Japanese using the labor of Allied POWs under atrocious conditions. The Narrow Road to the Deep North, by Australian Richard Flanagan, follows the Australian contributors to this grandiose project, as well as its Japanese administrators, many of whom were destined to become prisoners themselves.
Much like J.K. Rowling and George R.R. Martin, best-selling author Haruki Murakami is the type of writer whose fans queue up at bookstores at midnight, clamoring to be the first to get their hands on his latest book. Unfortunately, people who do not read Japanese have had to wait quite some time to read Murakami’s latest, Colorless Tsukuru Tazaki and His Years of Pilgrimage, which was published to acclaim in Japan in April 2013.
Nick Harkaway has a strange way of making us feel at home as readers even when we are in a decidedly strange place, of immersing us in something new and somehow making it feel familiar at the same time. With Tigerman, he again spellbinds with witty prose and inviting characters while taking us into a world that needs an unexpected hero.
The first thing you may think when reading the opening pages of Stephen L. Carter’s engrossing Back Channel is, “What in the devil is going on here?” It’s 1962 and we’re at the beginning of the Cuban Missile Crisis. President Kennedy is in a townhouse with a 19-year-old African-American girl, but not for the reason you think. It seems that this young lady is the key to stopping the world from becoming a glowing, radioactive ember in the darkness of space. You can’t be blamed if your first reaction is bemusement.
Rebecca Rasmussen (The Bird Sisters) traces the lasting damage of violence to devastating effect in her second novel, Evergreen, a fairy tale-like chronicle of how one moment’s pain can echo through generations.
Early on in Rufi Thorpe’s elegant yet intense debut novel, the narrator, Mia, makes a prescient observation: “Normally, friendships between girls are stowed away in boxes of postcards and ticket stubs, but whatever was between me and Lorrie Ann was not so easy to set aside.”
Someone is setting fire to the houses of Pomeroy, New Hampshire, in Sue Miller’s latest novel, but that’s beside the point. The important thing is that Francesca “Frankie” Rowley has returned from a long sojourn in Africa as an aid worker and she doesn’t know what to do with herself. Besides, the thing that lights her fire is Bud Jacobs, the local newspaper editor whose life is just as up in the air as hers is. The two launch a passionate affair even as everyone else’s summer home is being torched.
In Your Fathers, Where Are They? And the Prophets, Do They Live Forever?, McSweeney’s founder (and 2012 National Book Award finalist for A Hologram for the King) Dave Eggers breaks out of the blocks at record-setting pace, depositing the reader, his protagonist and a captive astronaut in an abandoned building without even so much as a how-de-do.