In Your Fathers, Where Are They? And the Prophets, Do They Live Forever?, McSweeney’s founder (and 2012 National Book Award finalist for A Hologram for the King) Dave Eggers breaks out of the blocks at record-setting pace, depositing the reader, his protagonist and a captive astronaut in an abandoned building without even so much as a how-de-do.
In these heady days of immigration non-reform in the United States, it is worth recalling that much of this nation’s territory was once the property of Mexico, and that many immigrants have fled violence whose source can be traced to America, whether through military aid, drug demand and interdiction or flat-out invasion. One such family is the subject of Cristina Henríquez’s illuminating novel The Book of Unknown Americans, a kind of anti-census in which the statistics of Latino immigration are run backward to reveal individual struggles.
As the United States exits two protracted wars in Iraq and Afghanistan, it’s easy to forget that nearly 100,000 defense-related Americans remain in Japan, a country with which the U.S. ceased hostilities nearly 70 years ago. The American bases occupy about one-fifth of Okinawa, an island unfortunate to have served as a rampart for the Japanese mainland during the war and as an aircraft carrier for the Americans after it. Above the East China Sea by Sarah Bird attempts to bridge the gap between these two phases in Okinawan history.
Chestnut Street in Dublin, Ireland, is shaped like a horseshoe, with a “big bit of grass in the middle beside some chestnut trees,” and “thirty small houses in a semicircle.” These houses are inhabited by scores of fascinating human beings, however ordinary, who figure in these stories by Maeve Binchy, written between novels. Now, after her death in 2012 at 72, they are finally being published.
Mona Simpson’s sixth novel, Casebook, visits the country of divorce through the eyes of California teenager and Sherlock Holmes wannabe, Miles Adler-Hart. Aided by his sidekick Hector (living through the aftermath of his own parents’ breakup), Miles recounts their earnest, if often fumbling, effort to make sense of the emotional disturbance that inevitably surrounds even the most amicable end of a marriage and the survivors’ halting attempts to rebuild their lives. Simpson brings this all off with style, blending pathos with humor to create an appealing story.
BookPage Fiction Top Pick, April 2014
The title of Maggie Shipstead’s second novel, Astonish Me, is a fitting one indeed. It’s a request, a demand, a dare, all wrapped up in two little words, heavy with promise.
Ayelet Waldman (Red Hook Road, Love and Other Impossible Pursuits) has written about personal tragedy numerous times: failed marriages, the struggles of motherhood, divided families. Her latest novel, Love & Treasure, deals with a larger human tragedy: the true story of the Hungarian Gold Train during World War II. It is a slight departure from her previous work, and yet, it remains just as powerful and inspiring.
Dinaw Mengestu’s third novel skillfully blends two disparate narratives—the account of an African revolution and the story of a survivor’s new life in America—to create a moving portrait of the dilemma of identity.
In 1894, Paris was rocked by the infamous Dreyfus affair, which reverberated in France for decades after Captain Alfred Dreyfus was convicted of treason in “a monstrous miscarriage of justice.” Robert Harris’ new novel, An Officer and a Spy, builds on the riveting trial and its aftermath, perfectly demonstrating its anti-Semitic core and the sense of justice gone awry in a rigid military hierarchy.
Moses Ebewesit Odidi Oganda is killed in the prologue of Yvonne Adhiambo Owuor’s first novel, Dust. From there on, everything falls to pieces.
We’re in 2007 Kenya, though the country has been tormented ever since the Brits decided to graft it onto their Empire. Add to this the Mau Mau uprisings, myriad political assassinations and the mandatory forgetting of the disappearances and torture of thousands of men, women and children. As one of the characters contemplates in this grief-stricken book, the three languages spoken in Kenya are “English, Kiswahili and Silence.”