Anyone who thinks the compact novel of ideas is dead would do well to turn to Canadian writer David Bezmozgis’ second novel, The Betrayers. In scarcely more than 200 pages, this tension-packed story explores themes of betrayal, forgiveness, moral courage and its opposite that are both contemporary and timeless.
Southern writer Tony Earley’s excellently written and highly readable Mr. Tall consists of six stories and a short novella. The characters are a mix of country folks and city people, except for the novella, which contains a mix of real people and mythical characters. Mostly, the stories are about how men and women meet and how they live out their lives together.
It’s estimated that around 500 women passed themselves off as men so they could fight in the Civil War. In the haunting Neverhome, Laird Hunt deftly imagines one such situation and its heartbreaking repercussions.
Stories of human survival and hope after an apocalyptic event are well worn at this point. As a result, the themes and tropes of these tales often feel so trodden and predictable that they become little more than echoes. Then, there are stories like California.
In this fascinating and deeply creepy novel by South African author Sarah Lotz, four commercial flights go down on the same day. Everyone on board perishes except three children: a British preteen named Jess; an American boy named Bobby; and a Japanese boy named Hiro. The children are uninjured, but their personalities have changed.
When people think about Jacqueline Kennedy Onassis, they often think of the iconic pink suit she wore on the fateful day that her husband, John F. Kennedy Jr., was assassinated in Dallas. Many people thought it to be a Chanel; however, it was a knock-off—made, like most of Mrs. Kennedy’s clothing, by an American dressmaker. Nicole Mary Kelby imagines the lives of one of those dressmakers through the lens of that famous outfit in her new novel, The Pink Suit, a luxurious narrative about Jackie Kennedy, a young seamstress, and the creation of the pink boucle suit.
Joshua Ferris, who previously examined the culture of the contemporary workplace (Then We Came to the End) and family life (The Unnamed) turns his attention to social media in To Rise Again at a Decent Hour. At first, the novel seems to be a satiric look at the way Facebook and Twitter could be used to hijack a person’s identity. But as the main character heads toward an existential crisis, it is clear that Ferris is also exploring how technology both connects us and reinforces our isolation.
Irish-born author Emma Donoghue returns to historical fiction with her first novel since the 2010 runaway bestseller Room. Frog Music was inspired by a real-life unsolved murder in 1876 San Francisco, a good three decades after the Gold Rush. Cross-dressing Jenny, a voice of surprising common sense amid the wild culture of the time, was shot in cold blood at her friend Blanche’s house, and the murderer was never found.
Good things are worth waiting for. It’s been 11 years since the publication of Donna Tartt’s second novel, The Little Friend, and 21 since her groundbreaking debut, The Secret History. Luckily for fans, the acclaimed author has finally returned with a third novel, The Goldfinch, and it may be her most extraordinary work yet. Coming in at slightly under 800 pages, this masterpiece may seem daunting, but once readers begin, they will be unable to put it down.
Eleanor Catton’s historical suspense novel The Luminaries is built like a triple Decker—one of those 19th-century novels that were so substantial, they were published serially in three volumes. Clocking in at over 800 pages, this pitch-perfect Victorian pastiche set in New Zealand has all the right elements: long-lost siblings, hidden caches of letters, a séance and a villainess so...