The most common advice to aspiring authors is “Write what you know.” Clearly Elisabeth Egan took this advice to heart when penning her debut novel, A Window Opens, a literary anthem for 21st-century working mothers.
Atmospheric, moody and evocative—these words describe Alice Hoffman’s latest achievement, The Marriage of Opposites. And that is no accident, because they also accurately describe the 19th-century artistic movement known as Impressionism, founded by Camille Pissarro, the third son Rachel Pomié bore to her second husband, Frédérick.
Michele Young-Stone’s second novel, Above Us Only Sky, is a coming-of-age story set in the 1970s—with a magical twist. Prudence Eleanor Vilkas was born with wings, “heart-shaped, crinkled like a paper fan” against her newborn back. The doctor apologized; later her wings were removed, leaving only scars. Prudence’s parents divorce. She and her mother move to Florida. She struggles through her teens, wondering about her identity as a winged girl.
Ten years ago, Ian Caldwell and his co-author, Dustin Thomason, struck gold with The Rule of Four, a page-turning academic mystery with emotional depth. Now, after a decade of research, writing and rewriting, Caldwell is back with a solo effort, a new novel that promises to live up to The Rule of Four. And The Fifth Gospel delivers, with compelling characters, impeccable pacing and a central enigma that is as intellectually satisfying as it is emotionally harrowing.
For those who argue that global capitalism is in the midst of a second Gilded Age, Canadian novelist Stephen Marche’s second novel (after Raymond and Hannah) offers an intriguing genre-crossing allegory for the rapacity and relentlessness of that economic philosophy.
Etta and Otto and Russell and James is at once alluring and unexpected. The novel opens with a letter from 83-year-old Etta to her husband, Otto. Etta has left the couple’s farm in Saskatchewan to walk more than 3,000 kilometers to see the ocean. In the letter, Etta tells Otto that she will try to remember to come back, a hint at her failing memory. Otto, hands trembling, decides not to follow.
We hear plenty of stories about falling in love. What we don’t often get, especially in romantic comedies, is the idea that marriage just might be the beginning of the love story, not its culmination. As The Rosie Effect shows, sometimes it’s possible, and even necessary, to fall in love with your partner over and over again. Sometimes that process can be just as beautiful—and just as romantic.
We Are Not Ourselves, Matthew Thomas’ epic first novel, was 10 years in the making and, upon completion, the subject of a vigorous publishers’ bidding war. Readers will understand why.
With daily news headlines detailing the tragedies that can unfold when a battle-weary soldier returns home from war, Las Vegas author Laura McBride’s first novel, We Are Called to Rise, is hauntingly timely.
Writer Kaui Hart Hemmings had a lot to live up to with her second novel: Her best-selling, polished debut, The Descendants, was made into an Oscar-winning film starring George Clooney. With The Possibilities, she delivers on her early promise while making a striking departure setting-wise, moving from the tropical islands of her native Hawaii to the snowy mountains of Colorado.