Howard Frank Mosher’s bailiwick for more than 40 years, and the setting for many of his 12 previous books, both fiction and nonfiction, is Vermont’s Northeast Kingdom—called God’s Kingdom by its earliest settlers. This nickname serves as the title for Mosher’s latest novel, which follows the Kinneson family, whose roots in Vermont go back to Charles Kinneson I, who arrived from the Scottish Isle of Skye in the late 18th century. It’s mostly the story of Jim Kinneson, who turned 14 in 1952, and began to write down the family stories gradually passed down to him.
For nine months The Girl on the Train has been lauded as the best thriller of 2015, but it has some real competition with the arrival of The Killing Lessons, a dark, violent novel from British author Glen Duncan (The Last Werewolf) writing under the pseudonym Saul Black.
Simon Watson lives on a precipice: His family’s old house on the Long Island Sound is slowly dying, leaning closer to the sea with every storm, and his job as a librarian is in peril thanks to looming budget cuts. In the midst of all this uncertainty, a bookseller sends a curious book to his doorstep—a journal kept by the proprietor of a traveling carnival. Full of sketches and damaged by water, the book has been passed down and annotated for centuries, and Simon is surprised to find the names of his grandmother and other ancestors within its pages.
Every Fifteen Minutes, best-selling author Lisa Scottoline’s latest page-turner, effectively draws readers in at two levels, both as gripping psychological suspense and as a vivid look into the tangled realms of the heart.
For readers who befriended the magical and sometimes maddening Waverly women in novelist Sarah Addison Allen’s debut novel, Garden Spells, the arrival of First Frost is certain to take the chill out of the bleakest winter day.
The stories we consume in youth—whether through books, television, film or song—often become the defining narrative of our lives. A shared affection draws people together, and a mention of a character or a trace of a lyric can immediately transport us to another place and time.
Grace Chapman has a seemingly perfect life: She’s a lifestyle icon with a best-selling author husband, a loving daughter and a gorgeous home outside of New York City. A former cookbook editor, she now cooks legendary meals for the local women’s shelter and plans community fundraisers.
British-born Maud Heighton, the protagonist of Imogen Robertson’s latest page-turner, The Paris Winter, couldn’t have picked a worse time to come study painting at Academie Lafond. It’s the winter of 1909-1910, when the Seine overflowed its banks, flooding people out of their homes and sucking away the very ground beneath their feet.
With The Furies, British writer Natalie Haynes has delivered an addictive, dark and suspenseful— yet sensitive—debut about death, obsession and fate.
First love, young love, unexpected love—any kind of love with a deep vein of naiveté and innocence—this is Rainbow Rowell’s wheelhouse. She manages to capture raw emotion with a wave of nostalgia that captivates not only her primary audience of young adult readers, but also those of us who, at least in theory, have moved past the age of soaring crushes and crushing heartbreak.