Beginning with the 1981 publication of his first novel, A Good Man in Africa, winner of the prestigious Whitbread Award, William Boyd has been astonishingly prolific—14 novels, four story collections, four plays, countless film and television scripts, essays and reviews.
Jonathan Franzen is a writer who swings for the fences, an ambition that attracts terabytes of online derision. Hold the derision. Franzen’s fifth novel, Purity, is quite simply his best, most textured, most plot-driven and, oddly enough, most optimistic novel to date.
When her writing is going really well, when she is “all in,” Paula McLain, author of the best-selling historical novel The Paris Wife, calls herself “a head in a jar.” All brain, no body.
Legendary book editor Jonathan Galassi has been at Farrar, Straus and Giroux since 1986 and is now its president and publisher. So why is his rambunctious, captivating first novel, Muse, being published by a rival?
Amanda Eyre Ward had already finished writing The Same Sky, her moving novel about an 11-year-old Honduran girl attempting to reunite with her mother in the U.S., when the controversy about undocumented minors blew up along the border last summer.
Dutch writer Peter Buwalda is keenly attuned to the ironies of being a successful novelist. “A successful writer is living a paradox,” Buwalda says from to his home in Amsterdam, where he moved after his gripping literary debut, Bonita Avenue, became a bestseller in Holland in 2010.
Gina B. Nahai’s fifth novel, The Luminous Heart of Jonah S., is a book full of enchantments and mysteries. The mystery that launches her tale is a contemporary murder: On a morning in June 2013, Neda Raiis, the wife of a Iranian Jewish exile named Raphael’s Son, reports finding her husband with his throat slit in an idling car at the gate of their Los Angeles mansion. By the time the police arrive, his body has disappeared.
The question that will burn in a reader’s mind when she finishes Some Luck, Jane Smiley’s marvelous new novel, is: How long do I have to wait to read the second volume in The Last Hundred Years trilogy?
We Are Not Ourselves, Matthew Thomas’ epic first novel, was 10 years in the making and, upon completion, the subject of a vigorous publishers’ bidding war. Readers will understand why.
If a writer should follow Ernest Hemingway’s well-known dictum to write what he knows, then first-time novelist Jess Row just might be in the wrong business.