Several years ago Han Kang, the South Korean author of the beautiful and disquieting new novel The Vegetarian, gave up driving and sold her car. Why? “To be honest,” she writes drolly during an email discussion about her life and her novel, “when I used to drive, it was sometimes dangerous because I had too many thoughts in my head.”
It is impossible to explain fully the beautiful, haunting emotional power of Elizabeth Strout’s new novel, My Name Is Lucy Barton. Magic? Genius? Certainly much of its power arises from the mesmerizing voice of Lucy Barton, teller of this tale. And much of it comes from the details of the story she slowly unfolds.
Sunil Yapa, author of the gripping, profoundly humane first novel Your Heart Is a Muscle the Size of a Fist, used to hide his laptop in the oven of the beach house he was renting in Chile.
In John Irving’s 14th novel, aging Mexican-American novelist Juan Diego Guerrero travels from his home in Iowa to the Philippines. He plans to fulfill a decades-old promise he made to a Vietnam draft dodger to honor a father killed during World War II, and takes a former writing student as his tour guide. En route to Manila, he is overtaken and seduced by a ghostly mother-daughter duo: fans of Juan Diego’s novels, who will reappear in unexpected, -sexually-charged moments throughout his journey. Going on and off his blood pressure medications, he travels in an almost hallucinatory state. He dreams.
Golden Age, the third and final volume of Jane Smiley’s splendid The Last Hundred Years trilogy, opens during a 1987 family reunion at the Langdon family farm in Iowa. Gathered are the surviving children and a number of grandchildren of Walter and Rosanna Langdon, the progenitors and subject of the trilogy’s first volume, Some Luck, which began in 1923.
Beginning with the 1981 publication of his first novel, A Good Man in Africa, winner of the prestigious Whitbread Award, William Boyd has been astonishingly prolific—14 novels, four story collections, four plays, countless film and television scripts, essays and reviews.
Jonathan Franzen is a writer who swings for the fences, an ambition that attracts terabytes of online derision. Hold the derision. Franzen’s fifth novel, Purity, is quite simply his best, most textured, most plot-driven and, oddly enough, most optimistic novel to date.
When her writing is going really well, when she is “all in,” Paula McLain, author of the best-selling historical novel The Paris Wife, calls herself “a head in a jar.” All brain, no body.
Legendary book editor Jonathan Galassi has been at Farrar, Straus and Giroux since 1986 and is now its president and publisher. So why is his rambunctious, captivating first novel, Muse, being published by a rival?
Amanda Eyre Ward had already finished writing The Same Sky, her moving novel about an 11-year-old Honduran girl attempting to reunite with her mother in the U.S., when the controversy about undocumented minors blew up along the border last summer.