To describe Jill Ciment’s latest novel as the story of a supermold that colonizes a Brooklyn neighborhood and threatens to infest the entire city doesn’t even come close to doing it justice—though it’s factually accurate. Dressed in the guise of a thriller, Act of God is really a keenly intelligent story about the tangled bonds of sisterly love and the power of repentance and forgiveness.
For those who argue that global capitalism is in the midst of a second Gilded Age, Canadian novelist Stephen Marche’s second novel (after Raymond and Hannah) offers an intriguing genre-crossing allegory for the rapacity and relentlessness of that economic philosophy.
Two-time Man Booker Prize winner (Oscar and Lucinda and True History of the Kelly Gang) Peter Carey’s 13th novel is a darkly satiric tale of cyber activism, modern Australian history and the exhilaration and perils of advocacy journalism.
With the publication of The Lay of the Land in 2006, it appeared Richard Ford had written the final chapter in the story of Frank Bascombe, one that began with The Sportswriter and continued with the Pulitzer Prize-winning Independence Day. Happily, Ford has given readers one last chance to enjoy his knowing, wry protagonist.
Anyone who thinks the compact novel of ideas is dead would do well to turn to Canadian writer David Bezmozgis’ second novel, The Betrayers. In scarcely more than 200 pages, this tension-packed story explores themes of betrayal, forgiveness, moral courage and its opposite that are both contemporary and timeless.
Displaying the economical style of his novels Amsterdam and On Chesil Beach, in his 13th novel best-selling author Ian McEwan upends the life of a respected judge with two crises—one personal, one professional—to create a penetrating character study.
It takes real talent to concoct a plot about our celebrity-obsessed culture that’s as outrageous as the stories we can consume every day with the click of a mouse or remote control. Following on his impressive fiction debut, the somber What Happened to Sophie Wilder, Christopher Beha has pivoted away from that novel's dark tone to create a wicked satire that’s every bit the equal of its predecessor in tackling serious moral issues.
Mona Simpson’s sixth novel, Casebook, visits the country of divorce through the eyes of California teenager and Sherlock Holmes wannabe, Miles Adler-Hart. Aided by his sidekick Hector (living through the aftermath of his own parents’ breakup), Miles recounts their earnest, if often fumbling, effort to make sense of the emotional disturbance that inevitably surrounds even the most amicable end of a marriage and the survivors’ halting attempts to rebuild their lives. Simpson brings this all off with style, blending pathos with humor to create an appealing story.
Dinaw Mengestu’s third novel skillfully blends two disparate narratives—the account of an African revolution and the story of a survivor’s new life in America—to create a moving portrait of the dilemma of identity.
Even if your religious education didn’t extend beyond Sunday school, you’re probably at least vaguely familiar with the biblical book of Jonah, the reluctant prophet who visits the belly of a big fish. Loosely building on that spare and enigmatic narrative, debut novelist Joshua Max Feldman has produced an affecting contemporary retelling of the tale, plausibly revealing what it might be like for a thoroughly modern man to find himself touched by the hand of God.