Julia Keller's debut mystery, A Killing in the Hills, introduced prosecuting attorney Belfa “Bell” Elkins and the small Appalachian town of Acker's Gap, West Virginia. In Summer of the Dead, Keller's third mystery set in Acker's Gap, Bell faces a new murderer, as well as family challenges and the burdens of the coal mining community.
The opening acknowledgements in Summer of the Dead hint at a heartbreaking story: "Some years ago I met the wise and stalwart wife of a coal miner in McDowell County, West Virginia. She had created a place for her husband under the big kitchen table; because of his many years spent working underground, and injuries to his spine, he was only comfortable in a crouching position. The story has haunted me ever since, and it inspired a key element of this novel."
Keller shed some light on this inspiration and the questions and challenges of caretaking.
Surgeon-turned-author Gabriel Weston made her literary debut with a gripping medical memoir. In her first novel, Dirty Work, she again turns to medicine for inspiration, this time investigating one of its most morally fraught procedures: abortion. In a behind-the-book story, Weston explains why she felt drawn to explore this contentious issue, and why she believes the two sides may be closer together than we think.
Land of Love and Drowning is narrated by the “old wives” of the island. They are the ones who receive and pass on the stories, including this one about the soldiers in New Orleans. An old wives’ tale is generally a label given to a tale thought to come from myth and superstition, and so should be considered with derision. But worse, an old wives’ tale is one that is often considered false in part because it is told by old women.
St. Louis writer Michele Andrea Bowen made a splash in the inspirational fiction world with her Church Folk series, which followed the loves and losses of a tight-knit church community in Durham, North Carolina. Her latest release, Pastor Needs a Boo, launches a spin-off of that series, the Pastor’s Aide Club, and finds reader favorite Denzelle Flowers—a former FBI agent turned pastor—the woman who will be the making of him. In a behind-the-book essay, Bowen explains why she chose Reverend Flowers to kick things off.
With her 2010 debut novel, Still Missing, Canadian author Chevy Stevens established herself as a writer who can tranform small fears into ultimate nightmares. Her new novel, That Night, evolves a tale of high school bullying into a story of revenge and twisted girl-world secrets. Stevens shares a look behind the curtain into the changing tides of her writing life.
With her 2012 novel Dare Me, Megan Abbott transformed high school bullying into a startling tale of reckless teenage chaos. In her new novel, The Fever, another group of young women find themselves at the center of pandemonium, as one by one girls fall to a mysterious infection that causes terrifying, gruesome seizures. The author shares how this haunting tale was inspired by a real-life “mass hysteria” outbreak in Le Roy, New York, in 2012.
Born in America to Afghani parents, author Nadia Hashimi grew up hearing her parents’ stories of the thriving Afghanistan they left in the 1970s. But when she finally visited decades later, she found a struggling country that bore little resemblance to their memories—especially in the way women were treated. Because of the increasing restrictions on female freedom, the custom of bacha posh, the practice of dressing a daughter as a son, has become common. Hashimi’s first novel, The Pearl That Broke Its Shell, traces that modern tradition back to its possible origin, a time when women dressed as men to guard the king’s harem. Here, the author explains how these two cultural flashpoints inspired her debut.
“There’s a scene in your story that’s unrealistic. The one where your main character’s marriage was arranged so quickly. In those days, matchmaking could take years, especially between old, wealthy families.”
This was the feedback from a family friend who read the manuscript for Three Souls during its early stages of editing. This friend grew up in a very traditional family and had majored in Chinese literature. If my novel’s depiction of Chinese family life in the years before World War II passed her critical judgement, I could breathe a sigh of relief.
There were many things I liked about my Grandmother Puffer’s home: cartoons on television (We didn’t have a TV at home: hippie parents.), Cheerios for breakfast (ditto), and all manner of ancestral relics. There was a genuine family tree—branches wider than my arms—and artifacts like a chair that Myles Standish had sat in (and in which we were not to sit) and a bugle that had been played at President Wilson’s inauguration. More than all this stuff, there were the tales my grandmother could tell.
When Coll Coyle, a struggling tenant farmer in 1832 Ireland, accidentally kills the landowner he works for, retribution is fierce. Forced to flee the country for America, Coyle exchanges one bleak existence for another when he finds work digging the rail beds for the Pennsylvania railroad. And he’s still being pursued by the relentless overseer, Faller, who is determined to see Coyle...