Looking at a world from an outsider’s point of view is a common theme in literature—with good reason. It supplies a powerful perspective and often enlightenment, as demonstrated in these four memorable first novels.
The good and useful thing about scary stories is their variety. They may leave you sad, mad or contemplative—but all of the good ones make the hair on the back of your neck stand up.
Two new novels set in privileged northeastern communities showcase the darker side of family life.
It’s one of America’s most iconic pieces of literature, and now, 55 years after its publication, To Kill a Mockingbird by Harper Lee has a companion.
How well can you really know someone? Can you comprehend the hidden desires harbored by your neighbor, your fiancé, your best friend or your daughter? Or do you only see the fiction they present to the world?
No matter how strange or outlandish, most fantasy novels take place in a world that bears at least some resemblance to our own. But when a fantasy writer takes the opportunity to cast a spell over the past, it provides a different sort of magic. Two new novels put imaginative twists on history.
Inspect Europe today, and you would struggle to believe that its greatest scuffles were once about anything other than bailouts and shared currency, or Eurovision and football. Yet 2015 marks the bicentennial of a battle that stands as a summation of that continent's centuries of bloody wars, particularly those of the 20th: Waterloo. Two new books take different approaches to remembering this conflict.
More than 100 years have passed since the Autumn of the Knife, when the serial killer known as Jack the Ripper terrorized the streets of London. Amy Carol Reeves, author of the YA Ripper trilogy, says, “writers and readers are drawn to this story because it’s a case that will never be solved,” leaving plenty of space for imagination. Such is the case with two new Ripper-themed books by celebrated historical crime novelists Stephen Hunter (Hot Springs) and Alex Grecian (The Yard).
There is something irresistible about a talented American woman in Paris. She feels sexy and alive while strolling the city’s streets, confident the world will unfurl in her hand like a blossoming flower.
What comes to mind when you think of women’s fiction? If the word is “predictable,” think again: Two fearless first-time novelists are turning tropes upside down.