Readers who haven’t yet discovered Elly Griffiths’ wonderful mystery series set on the remote and scenic ocean sands of Norwich, England, have a delayed treat in store. Griffiths’ newest, The Outcast Dead, continues to pique our interest in her continuing characters: forensic archaeologist Ruth Galloway and the stable of marvelous, scruffy characters that inhabit her life, including DCI Harry Nelson, who’s the father of Ruth’s 3-year-old daughter.
Some Like It Wild is the second book in M. Leighton’s best-selling Wild Ones erotic (read: explicit) romance series, in which good girls encounter wild men who introduce them to the pleasures that have been missing from their straight-laced lives.
Jean Zimmerman’s new novel, Savage Girl, is the ideal historical fiction narrative: The history is accurate, and the story nicely fits into the facts.
The novel opens with Hugo Delegate, son of an outrageously wealthy captain of industry, found next to the mutilated body of one of his friends. Because he can’t, or perhaps, will not, explain why he was found at such a gruesome scene, he is taken into custody and asked to tell his side of the story.
Hargeisa, Somalia, was balanced on a fragile precipice in the fall of 1987—held in the grip of a powerful dictatorship, with signs of revolution emerging with ever-increasing frequency. Nadifa Mohamed’s moving, thought-provoking second novel, following Black Mamba Boy (2010), focuses on three female characters caught up in the maelstrom whose lives intersect in unforgettable ways.
The women came from all over the nation—even the world—with little or no idea why they were moving to a remote New Mexico town with only a post office box for an address. They were the wives of scientists working at a secret research laboratory to build the first atomic bomb.
Let’s get one thing straight: With The Weight of Blood, it’s clear that Laura McHugh is more than a pretender to the throne of the “rural noir” genre. If her dazzling and disturbing debut novel is anything to go by, she’s got her eye on the crown and has more than the necessary talent and skills to nab it for herself. Daniel Woodrell had better watch his back.
Dinaw Mengestu’s third novel skillfully blends two disparate narratives—the account of an African revolution and the story of a survivor’s new life in America—to create a moving portrait of the dilemma of identity.
If we’re all stars in the stories of our own lives, then the people we pass on the street, in the elevator or in the park are extras. And when those stories are lived out in the apartments, coffee shops and streets of New York City, there are an awful lot of extras. Although New York residents often feel anonymous among the city’s millions, proximity means their lives repeatedly brush against one another’s.
It is a cool October night on Falstaff Island, about nine miles off of Prince Edward Island, and Scoutmaster Tim Riggs is enjoying a sip of scotch. He can hear his five 14-year-old scouts talking and laughing in the next room, most likely telling ghost stories before they fall asleep. All six are completely unaware of the horrifying turn their annual camping trip is about to take.
An epistolary tale told through emails, interoffice memos, legal documents and handwritten notes, The Divorce Papers is a witty and engaging first novel from author Susan Rieger. As is obvious from the title, the book features a divorce at its center. However, Rieger makes it about much more as she covers topics ranging from childhood trauma and fresh romances to office politics and literary theory.