“The sleep of reason produces monsters.” These words can be found in an etching by Francisco Goya, reproduced at the beginning of Two Years Eight Months and Twenty-Eight Nights (or 1,001 nights, that magical number). It’s a nightmarish image of a young man asleep, slumped over a table as a horde of wide-eyed and shadowy creatures bear down upon him.
Constance Kopp has never quite fit in: She is tall and broad-shouldered, and she doesn’t care much for keeping house—a rarity for women in 1914. She sticks close to her sisters, Norma and Fleurette, and together they form an odd but functional trio. Norma is stoic and reserved; Constance is bold and proud; and Fleurette, the youngest, is wide-eyed and excitable. Since the death of their mother, the sisters have become closer than ever, living in the countryside after the need to keep secrets forced their move from the city more than 15 years prior.
Lauren Groff explored the strengths of community in her first two novels, The Monsters of Templeton and Arcadia. In Fates and Furies, she narrows her focus to the ultimate microcosm: a marriage. Told in two parts, first by a husband and then a wife, this unsettling novel looks at the myriad ways even the most devoted of couples keep secrets, betray one another and risk deceiving themselves.
Tom Piazza’s new novel is a crisply told tale of race relations in Philadelphia a few years before the Civil War, one that brings into sharp relief the tensions that beset Northern society even as it was about to go to war to rid the nation of slavery.
In Supersymmetry, Walton returns to the near-future world of Jacob Kelley and his family, this time focusing on his now-adult daughters, Alex and Sandra. Alex and Sandra are more than twins: They are actually two versions of the same person, an as-yet uncollapsed wave-form of two quantum potentialities left over by the events of the first book.
Jonathan Franzen is a writer who swings for the fences, an ambition that attracts terabytes of online derision. Hold the derision. Franzen’s fifth novel, Purity, is quite simply his best, most textured, most plot-driven and, oddly enough, most optimistic novel to date.
They say that with every loss comes a gain, but in Charlie Cates’ case, that seems unimaginable. Her 5-year-old son’s sudden death from a brain aneurysm has turned her world upside down. A divorced single parent, Charlie put Keegan at the center of her world. Well-intentioned attempts from neighbors and colleagues to help Charlie get back on her feet only remind her of her dreaded new normal. When her old editor at Cold Crimes magazine calls with an unusual opportunity, Charlie—ready for a change—boldly seizes it, heading to Chicory, Louisiana, to write about a long-cold missing-persons case.
In her witty and charming debut novel, Glamour books editor Elisabeth Egan portrays the struggles of one suburban mom after her husband's career setback sends her back into the workforce full time.
The most common advice to aspiring authors is “Write what you know.” Clearly Elisabeth Egan took this advice to heart when penning her debut novel, A Window Opens, a literary anthem for 21st-century working mothers.
British writer Philippa Gregory has been telling the story of England’s most infamous king—and his equally famous coterie of wives—for nearly 15 years. In Taming the Queen, she brings Henry VIII’s final wife, Kateryn Parr, to the forefront. We asked Gregory a few questions about her latest book, the TV and film adaptations of her works and what readers can expect next.