“There are often two conversations going on in a marriage,” short-story writer Robin Black claims in her debut novel, Life Drawing. “The one that you’re having and the one that you’re not. Sometimes you don’t even know when that second, silent one has begun.” One could suggest that there are two conversations going on in this quiet, yet exquisitely crafted novel: the conversation between Augusta (Gus) and her husband Owen, and the conversation they’re not having, about Gus having cheated on him.
If you've ever wondered whether modern art is trash disguised by critical theory or whether critical theory is trashy modern art, Will Chancellor's debut novel, A Brave Man Seven Stories Tall, may settle the wager. It is a spirited sendup of the frauds found in art, academia and their "liminal" intersections.
Erika Johansen’s new novel, The Queen of the Tearling, uses a familiar fantasy premise: a special child—a chosen one, if you will—is born, and then hidden from those with murderous intent. As the book opens, it is 19 years later, and the time has come for Kelsea Glynn, the rightful queen of a benighted land, to leave hiding and assume her throne.
Early on in Rufi Thorpe’s elegant yet intense debut novel, the narrator, Mia, makes a prescient observation: “Normally, friendships between girls are stowed away in boxes of postcards and ticket stubs, but whatever was between me and Lorrie Ann was not so easy to set aside.”
The lives of twin siblings are often deeply intertwined—first physically, and later emotionally, mentally and spiritually—and Josh Weil’s The Great Glass Sea explores the tender, yet tenuous, relationship between Russian twin brothers Yarik and Dima. Though they have been inseparable since childhood, life with the Oranzheria, a sea of glass stretching over a section of the country to make the largest greenhouse in the world, is slowly pushing them apart.
Laura Lane McNeal’s debut novel is a gift to readers who long for an iced-tea-sipping, front-porch-swing kind of escape. With Dollbaby, McNeal took this New Orleans native on a trip back to my hometown, complete with the smells, landmarks and traditions that make me proud to call the Crescent City home.
Emily Gould has built a career as a blogger for her own Emily Magazine and Gawker, as well as the part owner of Emily Books. She is also author of the memoir, And the Heart Says Whatever. With her first novel, Friendship, Gould turns her eye toward the spectacle of female adulthood friendships.
In One Plus One, British novelist Jojo Moyes (Me Before You) once again introduces her readers to two mismatched lovers who have troubles of their own but find a safe haven in each other.
For crime aficionados, New York Times best-selling author Marcia Muller is always a welcome name, one to rely on when you want a sure thing—a book that captures the imagination and might even make you wish you’d cancelled your evening plans so you could just go on reading. Her latest, The Night Searchers—to be exact, number 31 in her San Francisco-based Sharon McCone series—promises to be that kind of book.
Rebecca Makkai’s The Hundred-Year House is an appealing mixture: part archival mystery, part ghost story, part historical novel, starring a house with as much personality as Manderley or Hill House. Told in reverse chronology, it unfolds as a kind of bookish scavenger hunt, uncovering clues and putting pieces of the fictional puzzle in place.