Early on in Rufi Thorpe’s elegant yet intense debut novel, the narrator, Mia, makes a prescient observation: “Normally, friendships between girls are stowed away in boxes of postcards and ticket stubs, but whatever was between me and Lorrie Ann was not so easy to set aside.”
The lives of twin siblings are often deeply intertwined—first physically, and later emotionally, mentally and spiritually—and Josh Weil’s The Great Glass Sea explores the tender, yet tenuous, relationship between Russian twin brothers Yarik and Dima. Though they have been inseparable since childhood, life with the Oranzheria, a sea of glass stretching over a section of the country to make the largest greenhouse in the world, is slowly pushing them apart.
Laura Lane McNeal’s debut novel is a gift to readers who long for an iced-tea-sipping, front-porch-swing kind of escape. With Dollbaby, McNeal took this New Orleans native on a trip back to my hometown, complete with the smells, landmarks and traditions that make me proud to call the Crescent City home.
Emily Gould has built a career as a blogger for her own Emily Magazine and Gawker, as well as the part owner of Emily Books. She is also author of the memoir, And the Heart Says Whatever. With her first novel, Friendship, Gould turns her eye toward the spectacle of female adulthood friendships.
In One Plus One, British novelist Jojo Moyes (Me Before You) once again introduces her readers to two mismatched lovers who have troubles of their own but find a safe haven in each other.
For crime aficionados, New York Times best-selling author Marcia Muller is always a welcome name, one to rely on when you want a sure thing—a book that captures the imagination and might even make you wish you’d cancelled your evening plans so you could just go on reading. Her latest, The Night Searchers—to be exact, number 31 in her San Francisco-based Sharon McCone series—promises to be that kind of book.
Rebecca Makkai’s The Hundred-Year House is an appealing mixture: part archival mystery, part ghost story, part historical novel, starring a house with as much personality as Manderley or Hill House. Told in reverse chronology, it unfolds as a kind of bookish scavenger hunt, uncovering clues and putting pieces of the fictional puzzle in place.
First love, young love, unexpected love—any kind of love with a deep vein of naiveté and innocence—this is Rainbow Rowell’s wheelhouse. She manages to capture raw emotion with a wave of nostalgia that captivates not only her primary audience of young adult readers, but also those of us who, at least in theory, have moved past the age of soaring crushes and crushing heartbreak.
Stories of human survival and hope after an apocalyptic event are well worn at this point. As a result, the themes and tropes of these tales often feel so trodden and predictable that they become little more than echoes. Then, there are stories like California.
It takes real talent to concoct a plot about our celebrity-obsessed culture that’s as outrageous as the stories we can consume every day with the click of a mouse or remote control. Following on his impressive fiction debut, the somber What Happened to Sophie Wilder, Christopher Beha has pivoted away from that novel's dark tone to create a wicked satire that’s every bit the equal of its predecessor in tackling serious moral issues.