It is 1922, and England and her citizens are still recovering from the upheaval of the First World War: High unemployment, disillusioned ex-soldiers and severely strained circumstances are commonplace. Twenty-seven-year-old Frances Wray and her mother are living in South London. Both of Frances’ brothers died in the war, and her father’s recent death left the two women close to financial ruin. Even with the dismissal of servants and Frances taking over the housework and meals, the Wrays no longer have enough to live on. Their decision to take in lodgers, or “paying guests” as they genteelly refer to them, leads to an event as ultimately life-altering as the war itself.
It is said that truth is often stranger than fiction, but what happens when truth can only be found in the pages of fiction? Readers of Laila Lalami’s latest novel, The Moor’s Account, may find themselves asking exactly that question, as fact and fantasy coalesce in a masterful story that shines a new light on one of the darkest eras of history.
It’s estimated that around 500 women passed themselves off as men so they could fight in the Civil War. In the haunting Neverhome, Laird Hunt deftly imagines one such situation and its heartbreaking repercussions.
Fans of historical fiction will be drawn to The Miniaturist, a fantastical tale from British debut novelist Jessie Burton that takes place in 17th-century Amsterdam. The story begins as 18-year-old Nella Oortman arrives at the home of her wealthy merchant husband, Johannes Brandt. Surprisingly, though, he is nowhere to be found. In his stead is his strictly religious sister, Marin; housemaid Cornelia; and his manservant, a former slave named Otto. Nella, a country girl, is forced to forge her way alone as head of the household.
British author Jessie Burton's first published book, The Miniaturist, has been building buzz in publishing circles since 2013, when it was one of the most sought-after books at the London Book Fair. Now this historical novel, set in a 17th-century Amsterdam that Burton evokes with great skill, is poised to win over readers.
We Are Not Ourselves, Matthew Thomas’ epic first novel, was 10 years in the making and, upon completion, the subject of a vigorous publishers’ bidding war. Readers will understand why.
Three acclaimed novels focused on history and family dynamics are sure to spark discussion in your reading groups this month.
Readers of Amy Bloom’s riotous new novel, Lucky Us, might want to pack a few snacks and buckle their seatbelts for this highly entertaining ride, which kicks off when half-sisters Eva and Iris hightail it from small-town Ohio to pursue their dreams in Hollywood.
It’s been quite a run lately for Civil War-era African Americans. Not only was Solomon Northrup’s 1853 memoir, Twelve Years a Slave, adapted into a triple Academy Award winner (including Best Picture), but now author Jeffery Renard Allen has resurrected the career—if perhaps not quite the true life story—of Thomas Greene Wiggins, also known as Blind Tom, in his second novel, Song of the Shank. Wiggins was perhaps the most unlikely of stars ever thrust on the international stage; sightless, probably autistic, heavyset (though somewhat handsome in a rough-hewn way) and, for the first 16 years of his life, a slave.
World War II-era nurse Claire Randall stumbled through a stone circle into the 18th century—and straight into the hearts of readers, who have gobbled up Diana Gabaldon’s Outlander series since its 1991 debut. Gabaldon returned this summer with Written in My Own Heart’s Blood, the eighth book in the series—and this month the first book, Outlander, has been turned into a TV series that will air on Starz. We asked Gabaldon a few questions about the series and the new book.