At the time Abraham Lincoln was assassinated, he did not have a definite plan for dealing with the postwar South. Although 360,000 Union troops had died during the Civil War, the North had not suffered the widespread devastation of the Southern states. The nine million white citizens and four million former slaves who lived in the former Confederacy faced a grim future.
You can get away with quite a lot if no one takes you very seriously. Like carrying military intelligence about the Union army through enemy lines to deliver it to the Confederates. Or hiding Union POW escapees in your attic while Confederate officers are boarding downstairs at your home.
When 43-year-old John F. Kennedy assumed the U.S. presidency in January 1961, he appeared to have little in common with 66-year-old British Prime Minister Harold Macmillan. The latter, son of an American mother and a British father, was a publisher, conservative politician and statesman and a wounded hero of World War I. Despite many personal differences, the two leaders shared a love of books and reading. Christopher Sandford writes engagingly of their close relationship during some of the most important years of the Cold War in Harold and Jack: The Remarkable Friendship of Prime Minister Macmillan and President Kennedy, a fascinating glimpse into the role of personal relationships in diplomacy.
On July 8, 1879, cheering throngs watched as the USS Jeannette set out from San Francisco and sailed off like a “long dark pencil of shadow standing straight up against the vivid sunset.” Under the command of officer George Washington De Long, the steamer and its crew were attempting to reach the North Pole and confirm a then--popular theory that the polar sea remained ice-free and open north of the Bering Strait. The expedition was funded by James Gordon Bennett Jr., the wealthy and eccentric owner of the New York Herald, who had also financed Stanley’s mission to Africa to find Dr. Livingstone.
Leonardo da Vinci was an outlier in so many ways: a peripatetic polymath, handsome, unmarried, an innovator, unquestionably an artistic genius. He doesn’t typify his era any more than geniuses ever do. Leonardo was a party of one.
Ah, the metric system—the logical way of meting out the world that confounds most Americans. Readers who have failed to crack its code will find comfort in John Bemelmans Marciano’s Whatever Happened to the Metric System? How America Kept Its Feet, an intriguing look at why the system failed to take hold here.
The 1970s were a tumultuous time in the U.S, defined by such events as the Vietnam War; the Watergate scandal; the Arab oil boycott; serious economic problems; and shocking revelations about illegal activities by our intelligence agencies. At one point, a Gallup poll found that 68 percent of Americans believed the government lied to them. All of this happened as the nation, somewhat dispirited, celebrated its bicentennial. Drawing on a vast array of sources, Rick Perlstein captures all of this and more in his sweeping, insightful and richly rewarding The Invisible Bridge: The Fall of Nixon and the Rise of Reagan.
If we choose, we can avoid most forms of art. Architecture is not one of them. It is all around us. In his wide-ranging and stimulating new book, Bricks and Mortals: Ten Great Buildings and the People They Made, Tom Wilkinson explores many of the aspects—morality, power, economics, psychology, politics and sex are some—that help us better understand how architecture “shapes people’s lives and vice versa,” from ancient times to the present. His diverse selection of buildings includes Nero’s Golden House in Rome and the Festival Theatre in Beyreuth, as well as the Finsbury Health Centre in London and the Footbridge in Rio de Janeiro. Ten buildings are covered in detail, serving as springboards to discussions of related subjects.
At the age of 12, when his father was imprisoned for not paying his debts, Charles Dickens was sent to work in a factory. He walked to his job, to his meager lodgings, to find his dinner in a market stall and to visit Marshalsea prison, where the rest of his family was living. Dickens never lost this habit of walking. And as Judith Flanders reveals in her stunning new book, The Victorian City: Everyday Life in Dickens’ London, the sights, sounds and smells of the city that infuse his novels were not simply the work of a brilliant imagination but “the reportage of a great observer.”
French sculptor Frédéric Auguste Bartholdi is best characterized by the following passage: “He was an egoist in human affairs; a humble man in the scale of the cosmos.” This elegant writing comes from Elizabeth Mitchell in Liberty’s Torch, the tale of how Bartholdi proposed the creation of the Statue of Liberty and spent much of his life making it happen. He knew that the statue’s completion would bring him fame. But he also knew that it would become a lasting symbol of what America represents: freedom and opportunity.