The Rocks, the second novel by Peter Nichols, has everything you’d hope for in a great beach read: a vivid Mediterranean setting, complicated entanglements, adventures at sea, some hanky-panky and a little heartbreak. But its sunny exterior conceals some sharp observations on human vulnerability and how easily self-preservation can calcify into mere selfishness.
David Treuer’s fourth novel, Prudence, is set in northern Minnesota, near the Leech Lake Reservation where he grew up. It opens in August 1942, as Frankie Washburn is returning to the Pines, the resort owned by his parents, for a brief visit before joining the war as a bombardier. The reunion is fraught with negative memories from the past, especially the distance between Frankie and his father, Jonathan. Frankie’s sexual orientation, although never mentioned, is planted like a wall between them. Frankie’s mother is oblivious, her main concern in life being the upkeep of the Pines itself.
In December 1976, two days before the Smile Jamaica concert to promote political unity, armed gunmen walked into reggae star Bob Marley’s house at 56 Hope Road in Kingston and began shooting. Marley sustained injuries in his arm and chest; his wife, Rita, was hit as she raced to protect their children; and his manager, Don Taylor, was also injured. In Marlon James’ powerful new novel, A Brief History of Seven Killings, the attack is the centerpiece of a blistering commentary on Jamaica in the 1970s and its inextricable links both to Cold War politics and to the drug wars of the following decade.
Who risks the most when a literary lion well into his ninth decade writes a novel? The legend, who is putting his legacy on the line, or the longtime reader, who shoulders the load of vicarious shame in the event the book is a mess?
With In Paradise, readers can rest assured the risk is worthwhile.
Leah Hager Cohen’s new novel, No Book but the World, takes its title from a quote by philosopher Jean-Jacques Rousseau. Ava and her younger brother, Fred, were raised by progressive parents who followed Rousseau’s “free” education and parenting model, letting their children discover the world on their own and without inhibitions or formal constrictions. Memories of their imaginative childhood in the woods flood forth as an adult Ava visits the town where her brother is now in jail.
An unnamed, ingenue heroine. A dramatic location by the sea. A wealthy and cultured older gentleman. If this sounds like the plot of the beloved mystery Rebecca, it is—but Rachel Pastan’s third novel pays homage to the Daphne du Maurier classic while adding a few new twists. Alena’s young heroine is a curator at a small art museum in the Midwest. Visiting the Venice Biennale with her employer, she is introduced to Bernard Augustin, the wealthy and enigmatic founder of the Nauquasset, a museum on Cape Cod that specializes in cutting-edge work.