Several years ago Han Kang, the South Korean author of the beautiful and disquieting new novel The Vegetarian, gave up driving and sold her car. Why? “To be honest,” she writes drolly during an email discussion about her life and her novel, “when I used to drive, it was sometimes dangerous because I had too many thoughts in my head.”
It is impossible to explain fully the beautiful, haunting emotional power of Elizabeth Strout’s new novel, My Name Is Lucy Barton. Magic? Genius? Certainly much of its power arises from the mesmerizing voice of Lucy Barton, teller of this tale. And much of it comes from the details of the story she slowly unfolds.
Golden Age, the third and final volume of Jane Smiley’s splendid The Last Hundred Years trilogy, opens during a 1987 family reunion at the Langdon family farm in Iowa. Gathered are the surviving children and a number of grandchildren of Walter and Rosanna Langdon, the progenitors and subject of the trilogy’s first volume, Some Luck, which began in 1923.
Beginning with the 1981 publication of his first novel, A Good Man in Africa, winner of the prestigious Whitbread Award, William Boyd has been astonishingly prolific—14 novels, four story collections, four plays, countless film and television scripts, essays and reviews.
Jonathan Franzen is a writer who swings for the fences, an ambition that attracts terabytes of online derision. Hold the derision. Franzen’s fifth novel, Purity, is quite simply his best, most textured, most plot-driven and, oddly enough, most optimistic novel to date.
Legendary book editor Jonathan Galassi has been at Farrar, Straus and Giroux since 1986 and is now its president and publisher. So why is his rambunctious, captivating first novel, Muse, being published by a rival?
Dutch writer Peter Buwalda is keenly attuned to the ironies of being a successful novelist. “A successful writer is living a paradox,” Buwalda says from to his home in Amsterdam, where he moved after his gripping literary debut, Bonita Avenue, became a bestseller in Holland in 2010.
Gina B. Nahai’s fifth novel, The Luminous Heart of Jonah S., is a book full of enchantments and mysteries. The mystery that launches her tale is a contemporary murder: On a morning in June 2013, Neda Raiis, the wife of a Iranian Jewish exile named Raphael’s Son, reports finding her husband with his throat slit in an idling car at the gate of their Los Angeles mansion. By the time the police arrive, his body has disappeared.
One of the more piquant pleasures of Porter Shreve’s The End of the Book—a novel that offers the attentive reader a surfeit of pleasure—are the contrasting sensory details of Chicago near the turn of two centuries.
The surprising source of Bich Minh Nguyen’s enthralling second novel, Pioneer Girl, was her discovery that Laura Ingalls Wilder’s daughter Rose had traveled to Vietnam as a journalist in 1965.
Nguyen (pronounced New-win), whose family fled Vietnam in 1975 when she was 8 months old and settled eventually in Grand Rapids, Michigan, says she “had read the Little House on the Prairie books when I was a kid, and I loved them. And I would reread them as an adult as comfort literature."