Howard Frank Mosher’s bailiwick for more than 40 years, and the setting for many of his 12 previous books, both fiction and nonfiction, is Vermont’s Northeast Kingdom—called God’s Kingdom by its earliest settlers. This nickname serves as the title for Mosher’s latest novel, which follows the Kinneson family, whose roots in Vermont go back to Charles Kinneson I, who arrived from the Scottish Isle of Skye in the late 18th century. It’s mostly the story of Jim Kinneson, who turned 14 in 1952, and began to write down the family stories gradually passed down to him.
For more than 400 years, Shakespeare’s works have been performed throughout the world— retold, reinterpreted and reinvented for each generation. Now, the Hogarth Shakespeare series is giving that opportunity to several of the most acclaimed contemporary novelists of our day. British writer Jeanette Winterson is the first to take on the challenge with The Gap of Time, a refashioning of The Winter’s Tale. Winterson’s own experience as an adopted child gives a special meaning to this story of an abandoned daughter.
Richard Ford's latest chapter in the life of Frank Bascombe, an inventive novel in two versions and a National Book Award nominee make for great group discussion this month.
In 2005, Hurricane Katrina tore through New Orleans, leaving behind empty streets, ruined art and a skeleton crew of old-guard residents. The discovery of a dead body in a historic hotel couldn’t come at a worse time for the understaffed, struggling New Orleans police force. The murder reopens the investigation into the decades-old theft of a highly valued European painting, which causes the lives of four people to intersect.
National Book Award winner Lily Tuck has lived a life that often informs her stories. She was born in Paris, has lived in Thailand, Uruguay and Peru, and now resides in New York City and Maine, providing plenty of fodder for her characters and their adventures. That’s perhaps more evident in her latest book, The Double Life of Liliane, than ever before.
Beginning with the 1981 publication of his first novel, A Good Man in Africa, winner of the prestigious Whitbread Award, William Boyd has been astonishingly prolific—14 novels, four story collections, four plays, countless film and television scripts, essays and reviews.
Ron Rash may not have invented the “Appalachian Noir” genre, but he’s certainly perfected it over the past 15 years with modern classics like Serena and The World Made Straight. His new novel, Above the Waterfall, is another contemporary take on the Southern Gothic tradition, featuring a slow-burn mystery that’s light on plot but thick with atmosphere, lyrical prose and a visceral sense of place.
Patrick deWitt’s novels don’t sneak up on you; they’re the kind you love instantly. His latest, Undermajordomo Minor (a follow-up to his Booker-shortlisted The Sisters Brothers), is no exception. From the moment you tumble into its strange world, there is no other world. In that sense, and in its slightly mannered language, it’s like a fairy tale, although one with plenty of room inside for thoroughly modern, adult complications.
“The sleep of reason produces monsters.” These words can be found in an etching by Francisco Goya, reproduced at the beginning of Two Years Eight Months and Twenty-Eight Nights (or 1,001 nights, that magical number). It’s a nightmarish image of a young man asleep, slumped over a table as a horde of wide-eyed and shadowy creatures bear down upon him.
Lauren Groff explored the strengths of community in her first two novels, The Monsters of Templeton and Arcadia. In Fates and Furies, she narrows her focus to the ultimate microcosm: a marriage. Told in two parts, first by a husband and then a wife, this unsettling novel looks at the myriad ways even the most devoted of couples keep secrets, betray one another and risk deceiving themselves.