Louisa Hall’s fascinating cautionary tale is about the role artificial intelligence can and should play in our society.
British novelist Amanda Coe’s The Love She Left Behind is a tart family drama that examines how a selfish act of adultery mars the lives of adult children a generation after its occurrence. In this, her second novel, Coe demonstrates a keen eye for the intricate dynamics of family life and an even sharper ear for the language we use both to conceal and to wound.
Three novels explore the hardships, complexities and a few triumphs within families, from the 1920s homestead to present-day Europe, make for great group discussion this month.
It’s one of America’s most iconic pieces of literature, and now, 55 years after its publication, To Kill a Mockingbird by Harper Lee has a companion.
We asked award-winning novelist Kate Walbert a few questions about her luminous new novel—and her own relationship with New York City.
Kate Walbert has always been a keen transmitter of women’s voices, from conforming suburban wives in the 1950s to British suffragettes during World War I. In her most recent novel, The Sunken Cathedral, Walbert tunes in to a complex chorus of female characters in contemporary Manhattan, a city recently altered by climate change, tragedy and new wealth.
There is a scene in Stephanie Kallos’ new novel in which protagonist Charles Marlow is describing all the clichés associated with an archetypal film on autism. It feels like a wink at the reader, as this book contains many of these same clichés. Yet Language Arts takes enough of a fresh approach to its subject to make it a riveting read.
Legendary book editor Jonathan Galassi has been at Farrar, Straus and Giroux since 1986 and is now its president and publisher. So why is his rambunctious, captivating first novel, Muse, being published by a rival?
The final chapter in Lev Grossman's Magicians Trilogy, a suspenseful historic account of a perilous voyage and a National Book Award finalist make for great reading this month.
When an author begins a novel with “And then there was the day”—as Kent Haruf begins Our Souls at Night, a brief, final testament completed shortly before his death last November—you know he knows we know what he’s talking about. This is Holt, Colorado.