What motivated Adolf Tolkachev to begin spying for the CIA? Was it for money? Did he require an ego boost? Was it based on his hatred of the Soviet system? It likely was a combination of all three. But what mattered most to the CIA was that Tolkachev was delivering a treasure trove of Soviet military secrets during a critical period of the Cold War. Tolkachev’s daring exploits are described in riveting detail in David E. Hoffman’s The Billion Dollar Spy.
Poet Carl Sandburg described Chicago as “course and strong and cunning.” Novelist Nelson Algren characterized Chicago as a “city on the make.”Author Dean Jobb cements Chicago’s gritty reputation in Empire of Deception.
Ronald Reagan is trending. Everyone from Ted Cruz to Barack Obama sings his praises. Why is Reagan so popular? Was it his movie-star looks? His cowboy swagger? His “America first” doctrine? H.W. Brands covers it all in his thorough biography, Reagan.
The tactics may have changed, but the intent remains the same: North Korea is a mysterious, insular country that above all loathes the United States. Today, North Korean leader Kim Jong-un retains his tight grip on power through imprisonment and purges. His threats against the United States include missile testing and computer hacking. But Kim’s modern-day machinations simply mirror the early actions of his grandfather, Kim Il-Sung, who took control of North Korea following World War II and established the Kim family dynasty. Blaine Harden’s new book, The Great Leader and the Fighter Pilot, describes the formation of that dynasty and offers one explanation for why North Korea hates the U.S.
The buzzer blared from the door of the Isabella Stewart Gardner Museum in Boston. The night watchman peered into the grainy video monitor and saw two men in police uniforms. The men persuaded the watchman to open the door. Once inside, the men bound and gagged the watchman and a fellow security guard and made off with $500 million in stolen art. Among the 13 masterpieces taken in the March 18, 1990, heist were Rembrandt’s The Storm on the Sea of Galilee and Vermeer’s The Concert.
The African-American struggle continues in every corner of the nation, from small towns like Ferguson, Missouri, to the boroughs of New York. Thus, Black History Month arrives at a critical time in America. The question is: Can we learn from history? These selections shed new light on the black experience and offer perspectives on the often painful evolution of race relations in America.
Thomas “Stonewall” Jackson is such an iconic military figure that he is legendary to Civil War scholars and schoolchildren alike. So it’s hard to imagine an author breaking new ground with another Jackson biography. But S.C. Gwynne does just that in Rebel Yell, which deserves comparisons to Shelby Foote’s three-volume The Civil War for its depth of knowledge and graceful narrative. Gwynne, a 2011 Pulitzer Prize finalist for Empire of the Summer Moon, casts Jackson as a human being, not as a bronze figure towering over a battlefield. Readers will come away from Rebel Yell with an understanding of the man that goes beyond his military exploits.
Ramita Navai sets it straight from the beginning: “In order to live in Tehran, you have to lie,” she writes in City of Lies, a gripping portrait of life inside Iran. “Lying in Tehran is about survival.”
Journalists typically don’t like to write about themselves. It comes from years of writing in the third person and striving for objectivity. And with so many critics of the press, reporters assume no one likes them. Robert Timberg grapples with this issue in his moving memoir, Blue-Eyed Boy. After nearly 40 years as a journalist and three noteworthy books, perhaps he has a story to tell. But he also has self-doubts. Then he looks in the mirror and sees his disfigured face. It is an image he has been trying to forget since 1967, when as a young soldier in Vietnam, just days away from the end of his tour, he suffered third-degree burns from a land mine explosion. He finally decides to confront this defining moment of his life. “I want to remember how I decided not to die,” he writes. “To not let my future die.”
French sculptor Frédéric Auguste Bartholdi is best characterized by the following passage: “He was an egoist in human affairs; a humble man in the scale of the cosmos.” This elegant writing comes from Elizabeth Mitchell in Liberty’s Torch, the tale of how Bartholdi proposed the creation of the Statue of Liberty and spent much of his life making it happen. He knew that the statue’s completion would bring him fame. But he also knew that it would become a lasting symbol of what America represents: freedom and opportunity.