Touted as the perfect fare for readers who love George R.R. Martin and Joe Abercrombie, Alex Marshall’s A Crown for Cold Silver presents the type of politically complicated, morally gray terrain associated with those authors.
At first glance, The Only Words That Are Worth Repeating looks like Interstellar meets The Stand. Centuries from now, in a post-scientific society where astronomy “is regarded as a delusional cult scarcely more respectable than Jesus Lovers,” a powerful corporation discovers a perfectly intact Orion spacecraft hidden beneath the ruins of Cape Canaveral, along with detailed instructions from NASA on how to launch a voyage to Europa, Jupiter’s icy moon.
In V.E. Schwab’s A Darker Shade of Magic, three versions of London exist side by side in parallel universes. There’s Grey London, where magic is basically extinguished; Red London, where it’s abundant; and White London, where it’s somewhere in between (and where the control of it as a resource is jealously and viciously contested). There was also a fourth—Black London—whose inhabitants were devoured by magic and which should no longer exist. Schwab’s male protagonist, Kell, is one of the few with the power to travel between those Londons, and as such, serves as a diplomatic courier of sorts between the monarchies of each.
Reading the setup of The Just City can itself floor you. That’s how big Jo Walton, a writer already known for ambitious fantasy storytelling, is going with this particular novel, something she says she’s imagined writing since her teenage years.
And so Netherton enlists Flynne in an investigation in his world that could never have been possible in hers. Leave it to Gibson to break down our innate resistance to time travel by using our uncertainty about the mechanics of high-speed computing to make the impossible seem plausible.
An intriguing hybrid of Asimovian I, Robot-flavored sci-fi, the quasi-contemporary speculative fiction of William Gibson and the enjoyable detective/crime procedural work of . . . well, countless writers, John Scalzi’s latest novel, Lock In, interweaves the threads of a number of familiar genre conventions to impressive effect.
In the summer of 1976, 19-year-old David Barwise takes a job at a holiday resort in the seaside town of Skegness, England, hoping to avoid spending the summer with his mother and stepfather. But there is something more sinister underlying David’s reasoning: The beach resort is where his biological father died 15 years earlier, and David feels strangely drawn to the area, despite the tension it causes within his family.
Nick Harkaway has a strange way of making us feel at home as readers even when we are in a decidedly strange place, of immersing us in something new and somehow making it feel familiar at the same time. With Tigerman, he again spellbinds with witty prose and inviting characters while taking us into a world that needs an unexpected hero.
In his first novel, The String Diaries, British author Stephen Lloyd Jones has created both an innovative storyline and a new creature to fear. The secret to overcoming this monster lies within one family’s weathered, string-tied diaries, which contain meticulously compiled stories, research and theories. But what is it that hunts this family, and why?
Robotics engineer Daniel H. Wilson’s 2011 debut, Robopocalypse, blurred the line between man and machine in a world on the brink of human extermination. In the second act, the line threatens to disappear altogether.