Steven Millhauser is our patron saint of elsewhere. He is the bard of an Arcadia we long for (but also dread), a sorcerer who can materialize phantoms in our backyards, where they’ve been standing all along, just there, behind the bushes.
Kelly Link tends to inspire a range of comparisons to other authors—usually, some blend of Angela Carter and Haruki Murakami—but, in fact, nobody writes stories like hers. Link’s fantastical worlds feel utterly real, partly because they’re intensely matter-of-fact. Her characters are sassy, moody and cool, and they never, ever make any big deal out of the fact that there are monsters, aliens, vampires or ghosts hanging around, or that they might stumble into a pocket universe or some alternate dimension. Mostly they’re concerned with cute guys and flirting and drinks, plus occasionally needing to save the world.
This radiant collection of short stories features a set of flawed yet sympathetic women in a whole mess of compromising positions.
Edith Pearlman has been publishing award-winning stories since the late 1970s, but became more widely known in 2012, when her story collection Binocular Vision won both the PEN/Malamud and National Book Critics Circle awards and was a finalist for numerous others. Her new collection, Honeydew, gathers tales from the last 15 years, each one a closely observed look at the ordinary graces and sorrows of everyday life.
In her first collection of stories, Birds of a Lesser Paradise (2012), Megan Mayhew Bergman focused on the relationships between humans and animals. In her new collection, Almost Famous Women, Bergman focuses on the lives of real women who have been marginalized (or mythologized) in history. They include Violet and Daisy Hilton, conjoined twins at odds in life but not in body; Marion “Joe” Carstairs, a womanizing power boat racer; Allegra Byron, the illegitimate daughter of Lord Byron and Claire Clairmont; and many other women whose stories are as captivating as they are obscure.
In the title story of J. Robert Lennon’s new collection of short fiction—a book 15 years in the making—a man stumbles, surreally, into a kind of dream job on a tropical island, only to sense that something’s not quite right.
Elephant Beach used to sparkle. Before the boardwalks rotted and the hotels and mansions along the bay boarded up their windows, there were ballrooms, parties, dancing. Now, the town smells of cigarettes. The streets are filled with drugs. Haunting screams accompany moonlight as traumatized veterans relive pieces of Vietnam in their sleep.
Spoiled Brats is ridiculous in the very best way. It’s a short story collection that avoids the usual pitfalls because the stories work well together and don’t lose steam as they go along. A common theme (spoiled rich kids, mostly) keeps these stories cohesive, and author Simon Rich holds our interest with a unifying style—each chapter is very funny, and they’re all based on a different outlandish premise.
Southern writer Tony Earley’s excellently written and highly readable Mr. Tall consists of six stories and a short novella. The characters are a mix of country folks and city people, except for the novella, which contains a mix of real people and mythical characters. Mostly, the stories are about how men and women meet and how they live out their lives together.
“We all forget things,” says a character in one of the four engaging novellas Mary Gordon collects in The Liar’s Wife. “We must.” Yet despite this sage observation, it is really the act of remembering past associations that serves as a common thread in this beautifully-rendered book. Gordon writes about young, intelligent women and men in the throes of self-discovery at formative junctures in their lives.