African-American twins Maya and Nikki and their neighbor Essence have always had their lives completely planned. They’ll date the right boys, attend historically black all-female Spelman College and be best friends forever.
Comparing a new young adult author to superstar John Green is risky business. Fans of Green’s work are bound to bring a certain set of expectations to their next read—expectations that All the Bright Places by Jennifer Niven meets and even exceeds.
Marcus Sedgwick’s latest offering is the perfect book for readers who are still pondering the multiple paths in his Printz Award-winning Midwinterblood and are seeking something new to captivate and astound them.
With a contract for her first YA novel in hand, recent high school graduate Darcy Patel puts college on hold and moves to New York City. But living and writing in the city turn out to involve more than just hobnobbing with the publishing community. She also needs to find (and furnish) an apartment, stick to a budget . . . and navigate her first romantic relationship.
The last thing Emily Bird remembers is the party. It should have been just another networking event to connect prep-school students with internships and Ivy League acceptances, especially within the elite Washington, D.C., African-American community. But when Bird wakes up days later in a hospital room, she knows she’s forgotten something important about that night. That feeling is further reinforced when mysterious messages begin hinting that she knows a secret about a deadly terrorist-linked flu virus that’s recently reached pandemic proportions.
Lily Proctor has had enough of the real world. Sure, her hometown of Salem, Massachusetts, might have an interesting history, but she’s tired of her best friend Tristan’s romantic wanderings, her mother’s public outbursts and, most of all, the perpetual fevers and allergic reactions that keep her from having a life. So when an otherworldy voice offers to transport her to a place where she can be powerful and strong, Lily readily agrees.
Art and life are both equally intense for high school junior Addison Stone. When her art teachers arrange for her to leave her small town and spend the summer immersed in the New York City art world, no one expects that the whirlwind of city life will eclipse her senior year . . . or that the following summer, her body will be found in the East River under mysterious circumstances.
Senior year is a stressful time, especially at the prestigious St. Joan’s Academy for Girls, outside of Boston. Between prepping for AP History pop quizzes, jostling for class rank and trying not to compete with her friends for top college acceptances, Colleen has enough on her mind even before a mysterious illness suddenly strikes the most popular girls in school. A media frenzy follows as more and more students show strange and varied symptoms. Possible explanations abound, but none seem right to Colleen until she makes an extraordinary connection.
Katherine Howe’s new YA novel Conversion alternates between two narratives. In one, contemporary high school student Colleen Rowley’s senior year at the high-pressure St. Joan’s Academy for Girls is interrupted by the outbreak of an unexplained illness. In the other, set at the beginning of the 18th century, a woman confesses to the role she played as a teenager in perpetuating the Salem witchcraft panic of 1692. Taken together, the two stories dare their reader to rethink the differences between past and present, rumor and truth, and science and magic.
BookPage caught up with Howe to find out more about her writing process, her most influential book and her unusual family history.
Developmentally disabled teens Biddy and Quincy have just graduated from high school. Biddy’s been living with her grandmother, and Quincy with various foster families, but now they need jobs and new living arrangements. A team of counselors arranges for the two graduates to share an apartment above a local widow’s garage. At first, Quincy and Biddy resent each other’s company, and mixed-race Quincy isn’t sure how she feels about interacting with a white landlady.