When Maija, her husband Paavo, and her daughters, Frederika and Dorotea, pack up their lives in Finland and head west to the Swedish Lapland in 1717, they were hoping for a fresh start, a clean break from the losses and the disappointments in their homeland.
A sobbing 4-year-old bride. A disinterested 12-year-old groom. Married in a rural Indian village 20 years ago at the behest of a tyrannical grandfather, this couple doesn’t seem destined for a happily ever after. That is, unless you ask Mili Rathod, the irrepressible heroine of Sonali Dev’s charming debut novel, A Bollywood Affair.
Russian-born Alina Bronsky made a splash with 2011’s The Hottest Dishes of the Tartar Cuisine, with praise from sources as varied as The Daily Beast and the Financial Times. She’s back with a third novel, Just Call Me Superhero, serving up more biting wit and a no-frills style that readers can eat up in big, satisfying chunks.
“Vietnam Vietnam Vietnam, we’ve all been there.” So says war correspondent Michael Herr on the persistent reality of a war curiously prone to re-examination. In The Lotus and the Storm, by Vietnamese-American author Lan Cao, this revisiting takes the form of a dialogue of sorts between a daughter and a father, lotuses swept to America’s shores by the storm of the American intervention.
Much like J.K. Rowling and George R.R. Martin, best-selling author Haruki Murakami is the type of writer whose fans queue up at bookstores at midnight, clamoring to be the first to get their hands on his latest book. Unfortunately, people who do not read Japanese have had to wait quite some time to read Murakami’s latest, Colorless Tsukuru Tazaki and His Years of Pilgrimage, which was published to acclaim in Japan in April 2013.
At first glance, Ove looks like a Grumpy Old Man with a Saab—a typical curmudgeon, not the type whose depths one is tempted to plumb. In fact, unless you like being scowled at, scolded, insulted and having doors slammed in your face, you might just decide to avoid him altogether. He wouldn’t mind; the only person he wants to see is his wife, who died six months ago.
Land of Love and Drowning is narrated by the “old wives” of the island. They are the ones who receive and pass on the stories, including this one about the soldiers in New Orleans. An old wives’ tale is generally a label given to a tale thought to come from myth and superstition, and so should be considered with derision. But worse, an old wives’ tale is one that is often considered false in part because it is told by old women.
Set against the colorful backdrop of the Virgin Islands from 1916 to the 1970s, Land of Love and Drowning weaves an intricate tale of the legacy of an island family as it grapples with love, magic and death over more than six decades. A heartbroken patriarch purposefully sinks his ship into the Caribbean, leaving two daughters and their half-brother to make their own way, each in possession of a particular magic and unusual beauty.
Born in America to Afghani parents, author Nadia Hashimi grew up hearing her parents’ stories of the thriving Afghanistan they left in the 1970s. But when she finally visited decades later, she found a struggling country that bore little resemblance to their memories—especially in the way women were treated. Because of the increasing restrictions on female freedom, the custom of bacha posh, the practice of dressing a daughter as a son, has become common. Hashimi’s first novel, The Pearl That Broke Its Shell, traces that modern tradition back to its possible origin, a time when women dressed as men to guard the king’s harem. Here, the author explains how these two cultural flashpoints inspired her debut.
In The Girl Who Saved the King of Sweden, Jonas Jonasson unfurls a wide, whimsical net that readers will relish being caught up in. Things go from just bad to comically worse to enjoyably ridiculous in this tongue-in-cheek tale. From South Africa to Sweden, from latrine cleanup to atom bomb cover-up, from pillows to presidents and potato farms, Jonasson’s wittily constructed web intertwines historical figures and facts with the exploits of a decidedly less plausible (but more entertaining) cast of characters.