“Vietnam Vietnam Vietnam, we’ve all been there.” So says war correspondent Michael Herr on the persistent reality of a war curiously prone to re-examination. In The Lotus and the Storm, by Vietnamese-American author Lan Cao, this revisiting takes the form of a dialogue of sorts between a daughter and a father, lotuses swept to America’s shores by the storm of the American intervention.
Much like J.K. Rowling and George R.R. Martin, best-selling author Haruki Murakami is the type of writer whose fans queue up at bookstores at midnight, clamoring to be the first to get their hands on his latest book. Unfortunately, people who do not read Japanese have had to wait quite some time to read Murakami’s latest, Colorless Tsukuru Tazaki and His Years of Pilgrimage, which was published to acclaim in Japan in April 2013.
At first glance, Ove looks like a Grumpy Old Man with a Saab—a typical curmudgeon, not the type whose depths one is tempted to plumb. In fact, unless you like being scowled at, scolded, insulted and having doors slammed in your face, you might just decide to avoid him altogether. He wouldn’t mind; the only person he wants to see is his wife, who died six months ago.
Set against the colorful backdrop of the Virgin Islands from 1916 to the 1970s, Land of Love and Drowning weaves an intricate tale of the legacy of an island family as it grapples with love, magic and death over more than six decades. A heartbroken patriarch purposefully sinks his ship into the Caribbean, leaving two daughters and their half-brother to make their own way, each in possession of a particular magic and unusual beauty.
In The Girl Who Saved the King of Sweden, Jonas Jonasson unfurls a wide, whimsical net that readers will relish being caught up in. Things go from just bad to comically worse to enjoyably ridiculous in this tongue-in-cheek tale. From South Africa to Sweden, from latrine cleanup to atom bomb cover-up, from pillows to presidents and potato farms, Jonasson’s wittily constructed web intertwines historical figures and facts with the exploits of a decidedly less plausible (but more entertaining) cast of characters.
Hargeisa, Somalia, was balanced on a fragile precipice in the fall of 1987—held in the grip of a powerful dictatorship, with signs of revolution emerging with ever-increasing frequency. Nadifa Mohamed’s moving, thought-provoking second novel, following Black Mamba Boy (2010), focuses on three female characters caught up in the maelstrom whose lives intersect in unforgettable ways.
Dinaw Mengestu’s third novel skillfully blends two disparate narratives—the account of an African revolution and the story of a survivor’s new life in America—to create a moving portrait of the dilemma of identity.
The death that launches Yiyun Li’s second novel, Kinder Than Solitude, has been a long time coming. Twenty years before, Shaoai was mysteriously poisoned by someone close to her, leaving her crippled and diminished. Her death comes as a great relief for the novel’s three main characters, Moran, Ruyu and Boyang—once childhood friends in China, but now estranged. But with that sigh of relief comes the truth.
Ellen Litman gives a new twist to the familiar coming of age/boarding school story (think A Separate Peace, Prep, The Prime of Miss Jean Brodie) in her second novel, Mannequin Girl. Set in the Soviet Union in the 1980s, it features the precocious daughter of two teachers whose life is radically changed when she receives a diagnosis of scoliosis.
A middle-aged and miserable American woman reaches the end of her mental rope and absconds to some foreign or underdeveloped place to find herself—and possibly a mate. This new genre encompasses the wildly popular if dissimilar Eat, Pray, Love and Wild. Add to these a novel, A Well-Tempered Heart by Jan-Philipp Sendker, where the unlikely foreign setting is Myanmar, aka Burma.