Quirky and raw, Kevin Sessums’ new memoir, I Left It on the Mountain, has all my favorite survival themes, plus cameos from Hugh Jackman and Courtney Love.
More than 80 years ago, Laura Ingalls Wilder wrote Pioneer Girl, an autobiography about growing up on the prairie. Editor Pamela Smith Hill explains why the book is finally being published and what it means for Little House fans.
After writing an award-winning biography of Frances Perkins (The Woman Behind the New Deal), former Washington Post reporter Kirstin Downey turns her attention to a woman with far broader influence: Isabella, the queen of Castile.
Inaugural poet Richard Blanco talks about his hilarious and moving new memoir, The Prince of los Cocuyos.
The voice behind the popular web series “Ask a Mortician” exposes the grisly, hilarious details of working in a crematorium—and argues that everyone needs to be more closely connected to the realities of death.
Dante scholar Joseph Luzzi recounts his immigrant childhood and his complicated relationship with his parents’ homeland in a captivating new memoir, My Two Italies.
Bill Geist, longtime television correspondent on "CBS Sunday Morning" and his son Willie, co-host on NBC's "Today" and MSNBC's "Morning Joe," share a passion for journalism, but their real common ground lies in appreciating the hilarious, absurd and just plain odd situations in the world around them. They might have skipped the requisite father-son talks while Willie was growing up, but they're finally getting around to them in their new book, Good Talk, Dad.
In her lovely new memoir, My Salinger Year, Joanna Rakoff takes readers on a tour of mid-1990s New York City—from the hallowed halls of an esteemed literary agency to the not-yet-gentrified streets of Williamsburg—as she settles in to her first real job.
What inspired you to write the book? Is there any significance to the timing of the publication?
This is a surprisingly difficult and complicated question, as My Salinger Year could also be called “The Book I Kept Trying Not to Write!”
Tom Robbins had no intention of writing a memoir. “I was conned into it by the women in my life,” he says with a laugh during a call to his home in the small town of La Conner, Washington.
“They had been pestering me to write down the stories that I’d been telling them—bidden and unbidden—over the years. I wrote 20 pages and showed it to them, thinking that would shut them up. But it had the opposite effect.”
Fans of Roz Chast’s cartoons in The New Yorker will not be surprised to learn that her parents were an unlikely couple: Her mother, Elizabeth, was a bossy perfectionist. Her father, George, was a sensitive man often gripped by anxiety.
In her first memoir, Can’t We Talk About Something More Pleasant?, Chast captures her parents’ long, painful decline and her struggle to deal with their descent—from their cluttered Brooklyn apartment to assisted living and eventually to hospice care.