British author Jessie Burton's first published book, The Miniaturist, has been building buzz in publishing circles since 2013, when it was one of the most sought-after books at the London Book Fair. Now this historical novel, set in a 17th-century Amsterdam that Burton evokes with great skill, is poised to win over readers.
If a writer should follow Ernest Hemingway’s well-known dictum to write what he knows, then first-time novelist Jess Row just might be in the wrong business.
Lawyer Carrie La Seur makes her debut as a novelist this month with The Home Place, a searing novel about the power of family bonds that is also a compelling whodunit. Set against the stark backdrop of rural Montana, a place that big-city lawyer Alma Terrebonne thought she’d escaped forever, the novel follows Alma’s search for the reasons behind her estranged sister’s untimely death. We asked La Seur a few questions about writing, Montana and the draw of family.
Mary Kubica’s debut, The Good Girl, is a constant game of cat and mouse. In this tense psychological thriller, Mia Dennett’s abduction poses questions about relationships, their boundaries and their limits.
British author Emma Healey may be only 29 years old, but she has created a poignant portrait of a woman with dementia in her luminous debut novel, which contains a double mystery.
Was there a specific inspiration for the character of Maud?
Although my father’s mother, Nancy, has dementia and her experiences gave me ideas for some of the scenes in the book, it was my mother’s mother, Vera, who most influenced the character of Maud.
“Am I really going to tell a story from a dead-and-buried baby’s point of view?” Courtney Collins asked herself, early in the writing of her stunning debut novel, The Untold.
The author was a year into a fictionalized portrait of real-life Australian female outlaw Jessie Hickman. And to be perfectly honest, the story just wasn’t working.
In a world where writers are eternally reminded to “write what you know,” debut novels are often thinly veiled memoirs, or at least tentatively tied to the author’s own experience through location or life experience. Not so for screenwriter Laline Paull, whose ambitious first novel, The Bees, doesn’t feature a single human character—and it’s set in the labyrinthine world of the hive.
It’s hard to say whether Ruth Reichl is best known for her scrumptiously honest memoirs (Tender at the Bone, Comfort Me with Apples, Garlic and Sapphires) or her long stints as restaurant reviewer for the New York Times and editor of Gourmet magazine.
"I wanted to write about Wisconsin,” Nickolas Butler says of the genesis of his soulful first novel, Shotgun Lovesongs, which gave voice to his homesickness.
“My first semester at the [Iowa] Writers Workshop, I was down there alone. I was sleeping in this terrible apartment,” Butler says.
Who among us hasn’t wished for more hours in a day? In Karen Thompson Walker’s exciting debut novel, The Age of Miracles, we get exactly that—with dire consequences. Eleven-year-old Julia is going about the business of growing up in suburban San Diego—piano lessons, sleepovers, a cute skater boy—when the...