Several years ago Han Kang, the South Korean author of the beautiful and disquieting new novel The Vegetarian, gave up driving and sold her car. Why? “To be honest,” she writes drolly during an email discussion about her life and her novel, “when I used to drive, it was sometimes dangerous because I had too many thoughts in my head.”
Sunil Yapa, author of the gripping, profoundly humane first novel Your Heart Is a Muscle the Size of a Fist, used to hide his laptop in the oven of the beach house he was renting in Chile.
Beginning with the 1981 publication of his first novel, A Good Man in Africa, winner of the prestigious Whitbread Award, William Boyd has been astonishingly prolific—14 novels, four story collections, four plays, countless film and television scripts, essays and reviews.
When her writing is going really well, when she is “all in,” Paula McLain, author of the best-selling historical novel The Paris Wife, calls herself “a head in a jar.” All brain, no body.
Legendary book editor Jonathan Galassi has been at Farrar, Straus and Giroux since 1986 and is now its president and publisher. So why is his rambunctious, captivating first novel, Muse, being published by a rival?
Amanda Eyre Ward had already finished writing The Same Sky, her moving novel about an 11-year-old Honduran girl attempting to reunite with her mother in the U.S., when the controversy about undocumented minors blew up along the border last summer.
Dutch writer Peter Buwalda is keenly attuned to the ironies of being a successful novelist. “A successful writer is living a paradox,” Buwalda says from to his home in Amsterdam, where he moved after his gripping literary debut, Bonita Avenue, became a bestseller in Holland in 2010.
The question that will burn in a reader’s mind when she finishes Some Luck, Jane Smiley’s marvelous new novel, is: How long do I have to wait to read the second volume in The Last Hundred Years trilogy?
If a writer should follow Ernest Hemingway’s well-known dictum to write what he knows, then first-time novelist Jess Row just might be in the wrong business.
"I wanted to write about Wisconsin,” Nickolas Butler says of the genesis of his soulful first novel, Shotgun Lovesongs, which gave voice to his homesickness.
“My first semester at the [Iowa] Writers Workshop, I was down there alone. I was sleeping in this terrible apartment,” Butler says.