Amanda Eyre Ward had already finished writing The Same Sky, her moving novel about an 11-year-old Honduran girl attempting to reunite with her mother in the U.S., when the controversy about undocumented minors blew up along the border last summer.
Lawyer-turned-author Krassi Zourkova mines the traditions of her Bulgarian childhood in a magical debut, Wildalone. When Thea leaves Bulgaria to study at Princeton, her life becomes entwined with those of two sexy brothers as she works to uncover a long-hidden familiy secret. We asked Zourkova a few questions about love triangles, the literature that inspires her and the appeal of the alpha male.
With The Girl on the Train, British author Paula Hawkins has written one of those books with a plot so delicious, you wonder why you didn’t think of it yourself.
Dutch writer Peter Buwalda is keenly attuned to the ironies of being a successful novelist. “A successful writer is living a paradox,” Buwalda says from to his home in Amsterdam, where he moved after his gripping literary debut, Bonita Avenue, became a bestseller in Holland in 2010.
In The Rosie Effect, Simsion returns to the life of Rosie and Don as they struggle to turn their marriage into a lifelong love affair.
Without question, Tolkien set the standard for worldbuilding. Readers of epic fantasy aren’t content with a few generations of kings mentioned in some measly footnotes; they want a world so vast and detailed that it could be real. With Tolkien’s template in mind, George R.R. Martin addresses fans’ demands for a truly epic history.
Though they often deal in dark themes—humanity’s rampant destruction of the earth is a common backdrop—Lydia Millet’s books are also, paradoxically, hilarious. Granted, it’s a grim humor, laced with sadness—but even so, it’s probably no surprise that the author in conversation is warm-voiced and inclined toward laughter.
In his 2009 bestseller One Day, British actor-turned-screenwriter-turned-novelist David Nicholls traced the inevitable romantic collision of star-crossed college acquaintances via snapshots, taken on the same calendar date each year, over their 20-year journey to togetherness.
It’s rare to find two successful writers in one household, and even more rare when both authors have new books published at the same time. But for Tasha Alexander and Andrew Grant, it’s all part of the everyday reality (and delight) of being a married couple who share the same profession: writing novels.
Rebecca Makkai’s second novel, The Hundred-Year House, is an appealing mix of archival mystery, ghost story and historical novel. Told in reverse chronology, it unfolds as a kind of bookish scavenger hunt set in a former artist’s colony, uncovering clues and putting pieces of the fictional puzzle in place. I was able to catch up with Rebecca at Nashville’s Southern Festival of Books.