Janis Cooke Newman, author of Mary: Mrs. A. Lincoln, once again brings history to life with her sophomore novel, A Master Plan for Rescue. Here, Newman explores New York City as World War II percolates across the Atlantic. Her remarkable novel is filled with stories within stories that recall the superhero serials that its gifted 12-year-old, Jack Quinlan, wholeheartedly believes in.
For the irrepressible 12-year-old heroine of The Truth According to Us, growing up in the sleepy West Virginia mill town of Macedonia at the height of the Great Depression proves to be anything but depressing.
Mazie Phillips-Gordon was a real person. Born in 1897, she ran the ticket booth at New York’s Venice Theater from 1916 to 1938. You may not think that’s such a big achievement, but then you probably haven’t read the Joseph Mitchell New Yorker essay about her that inspired Jami Attenberg’s entertaining new novel, Saint Mazie.
Dolen Perkins-Valdez’s second novel, Balm, follows a group of refugees who meet in the bustling, reeking and bewildering city of Chicago.
In Sarah McCoy’s new book, two protagonists tell the little-known history of Sarah Brown, daughter of John Brown, the staunch abolitionist who was executed for the attack he led on Harper’s Ferry.
Teddy Todd, who first appeared in Kate Atkinson’s thrilling Life After Life (2013), served as a British pilot in World War II. As a young man in the throes of a brutal war, he “didn’t expect to see the alchemy of spring, to see the dull brown earth change to bright green and then pale gold.”
Of the estimated six million Jews extinguished during the Holocaust, perhaps one-fourth were children. To make this figure somewhat conceivable, imagine if every one of them had, like Anne Frank, left behind a diary—or if that many novelists reconstructed in fiction the horrors these innocents had to face. Something like this imperative motivates National Book Award finalist Jim Shepard’s seventh novel, The Book of Aron,, a loosely historical account of the children of the Warsaw ghetto.
Readers met the Langdon family in Some Luck, the first novel in Jane Smiley’s trilogy about an American family and an Iowa farm. A straightforward, almost old-fashioned novel, it opened in 1920 and covered the following 33 years—one year per chapter—in the lives of Walter and Rosanna Langdon and their six children with tenderness and surprisingly subtle humor. Now, in the more ominously titled Early Warning, Smiley casts an even wider net, as the Langdon children, now grown to adulthood and with children of their own, navigate the immense social changes of the 1960s and ’70s.
It’s late in the 19th century, and literary works are often plundered by so-called “bookaneers.” These literary pirates swoop in, abscond with a manuscript and sell it to the highest bidder. The stories should be property of the reader, not the writer, the bookaneers argue. And they’ll stop at nothing to ensure it.
Fans of authors like Sarah Waters and Michel Faber will thrill to Anna Freeman's debut, The Fair Fight, an exciting historical novel set in the little-known world of women's bare-knuckle boxing.