Southern writer Tony Earley’s excellently written and highly readable Mr. Tall consists of six stories and a short novella. The characters are a mix of country folks and city people, except for the novella, which contains a mix of real people and mythical characters. Mostly, the stories are about how men and women meet and how they live out their lives together.
It’s estimated that around 500 women passed themselves off as men so they could fight in the Civil War. In the haunting Neverhome, Laird Hunt deftly imagines one such situation and its heartbreaking repercussions.
In 12-year-old Mysti Murphy’s imagination, she wears a beret and rides a bicycle by the Eiffel Tower. In the real world, she’s counting cans of dog food and rolls of toilet paper to help her family “hold on” until her dad comes home from the hospital. Mysti also keeps a secret: Her mother never leaves the house. To make matters worse, Mysti’s best friend, Anibal, has abandoned her to join the hipster crowd.
Stories of human survival and hope after an apocalyptic event are well worn at this point. As a result, the themes and tropes of these tales often feel so trodden and predictable that they become little more than echoes. Then, there are stories like California.
Set on the beaches and back alleys of Los Angeles, The Prince of Venice Beach is the tale of a homeless runaway who lives an easy life off the grid—until his only means of income turns morally complex.
Seventeen-year-old Robert “Cali” Callahan ran away from an endless cycle of foster homes when he turned 14.
In this fascinating and deeply creepy novel by South African author Sarah Lotz, four commercial flights go down on the same day. Everyone on board perishes except three children: a British preteen named Jess; an American boy named Bobby; and a Japanese boy named Hiro. The children are uninjured, but their personalities have changed.
Who fired the first shot on Lexington Green on the morning of April 19, 1775, remains in dispute. Both the British regulars and the American rebels vehemently denied that it came from their side. What is agreed on is that after that first shot was heard, there was immediately sporadic and then volley fire from the British regulars. In June, there was the catastrophic Battle of Bunker Hill. While the result was indecisive, it was a self-proclaimed British victory at a staggering cost.
When people think about Jacqueline Kennedy Onassis, they often think of the iconic pink suit she wore on the fateful day that her husband, John F. Kennedy Jr., was assassinated in Dallas. Many people thought it to be a Chanel; however, it was a knock-off—made, like most of Mrs. Kennedy’s clothing, by an American dressmaker. Nicole Mary Kelby imagines the lives of one of those dressmakers through the lens of that famous outfit in her new novel, The Pink Suit, a luxurious narrative about Jackie Kennedy, a young seamstress, and the creation of the pink boucle suit.
Joshua Ferris, who previously examined the culture of the contemporary workplace (Then We Came to the End) and family life (The Unnamed) turns his attention to social media in To Rise Again at a Decent Hour. At first, the novel seems to be a satiric look at the way Facebook and Twitter could be used to hijack a person’s identity. But as the main character heads toward an existential crisis, it is clear that Ferris is also exploring how technology both connects us and reinforces our isolation.
Nina Stibbe was 20 years old in 1982 when she moved to London to become the live-in nanny for Mary-Kay Wilmers, editor of the London Review of Books, and her sons Sam and Will (whose father is film director Stephen Frears). There was no convenient phone, so Nina began sending quirky, funny letters home to her sister to report on her job.