In a Rocket Made of Ice is an extraordinary book about an extraordinary place. Wat Opot Children’s Community is a Cambodian orphanage started with $50 by Wayne Matthysse, a former Vietnam medic driven to make life better for children in war-torn countries. The orphanage is home to children and women affected by HIV and AIDS, where they can get the powerful antiretroviral drugs they need to stay healthy, as well as education and a community in which they belong.
Leonardo da Vinci was an outlier in so many ways: a peripatetic polymath, handsome, unmarried, an innovator, unquestionably an artistic genius. He doesn’t typify his era any more than geniuses ever do. Leonardo was a party of one.
Anyone whose life involves children’s literature has probably encountered the assumption that books for children are all sweetly sentimental tales of selfless trees and fluffy bunnies. In Wild Things! Acts of Mischief in Children’s Literature, librarian-bloggers Betsy Bird, Julie Danielson (also a BookPage reviewer) and their late co-author Peter D. Sieruta thoroughly debunk that notion.
When antimatter combines with matter, it creates an explosion of energy. That’s an accurate formula for what Jon Scieszka has created with this excellent first book in his new middle grade series.
In the summer of 1976, 19-year-old David Barwise takes a job at a holiday resort in the seaside town of Skegness, England, hoping to avoid spending the summer with his mother and stepfather. But there is something more sinister underlying David’s reasoning: The beach resort is where his biological father died 15 years earlier, and David feels strangely drawn to the area, despite the tension it causes within his family.
Ah, the metric system—the logical way of meting out the world that confounds most Americans. Readers who have failed to crack its code will find comfort in John Bemelmans Marciano’s Whatever Happened to the Metric System? How America Kept Its Feet, an intriguing look at why the system failed to take hold here.
Joshua Wolf Shenk offers an intriguing look at the nature of creative partnerships in Powers of Two: Finding the Essence of Innovation in Creative Pairs. His subjects range from the musical (Lennon and McCartney) to the scientific (Watson and Crick), from the literary (Melville and Hawthorne) to the technical (Jobs and Wozniak). From these dozens of case studies, Shenk synthesizes the patterns. What happens when creative pairs meet? (Hint: It’s often like falling in love.) When does the really good work get going? Why do such partnerships often end?
In 12-year-old Mysti Murphy’s imagination, she wears a beret and rides a bicycle by the Eiffel Tower. In the real world, she’s counting cans of dog food and rolls of toilet paper to help her family “hold on” until her dad comes home from the hospital. Mysti also keeps a secret: Her mother never leaves the house. To make matters worse, Mysti’s best friend, Anibal, has abandoned her to join the hipster crowd.
It’s 7 a.m. on December 23, and Madeleine Altimari is shimmying. In 30-second intervals, the girl attempts to perfect her moves, pausing in between for a quick drag from a cigarette. After each interval, she rates her work on a school-letter scale. She has yet to check off the day’s other rehearsal tasks: singing, scales, guitar.
The 1970s were a tumultuous time in the U.S, defined by such events as the Vietnam War; the Watergate scandal; the Arab oil boycott; serious economic problems; and shocking revelations about illegal activities by our intelligence agencies. At one point, a Gallup poll found that 68 percent of Americans believed the government lied to them. All of this happened as the nation, somewhat dispirited, celebrated its bicentennial. Drawing on a vast array of sources, Rick Perlstein captures all of this and more in his sweeping, insightful and richly rewarding The Invisible Bridge: The Fall of Nixon and the Rise of Reagan.