Ah, the metric system—the logical way of meting out the world that confounds most Americans. Readers who have failed to crack its code will find comfort in John Bemelmans Marciano’s Whatever Happened to the Metric System? How America Kept Its Feet, an intriguing look at why the system failed to take hold here.
Joshua Wolf Shenk offers an intriguing look at the nature of creative partnerships in Powers of Two: Finding the Essence of Innovation in Creative Pairs. His subjects range from the musical (Lennon and McCartney) to the scientific (Watson and Crick), from the literary (Melville and Hawthorne) to the technical (Jobs and Wozniak). From these dozens of case studies, Shenk synthesizes the patterns. What happens when creative pairs meet? (Hint: It’s often like falling in love.) When does the really good work get going? Why do such partnerships often end?
In 12-year-old Mysti Murphy’s imagination, she wears a beret and rides a bicycle by the Eiffel Tower. In the real world, she’s counting cans of dog food and rolls of toilet paper to help her family “hold on” until her dad comes home from the hospital. Mysti also keeps a secret: Her mother never leaves the house. To make matters worse, Mysti’s best friend, Anibal, has abandoned her to join the hipster crowd.
It’s 7 a.m. on December 23, and Madeleine Altimari is shimmying. In 30-second intervals, the girl attempts to perfect her moves, pausing in between for a quick drag from a cigarette. After each interval, she rates her work on a school-letter scale. She has yet to check off the day’s other rehearsal tasks: singing, scales, guitar.
The 1970s were a tumultuous time in the U.S, defined by such events as the Vietnam War; the Watergate scandal; the Arab oil boycott; serious economic problems; and shocking revelations about illegal activities by our intelligence agencies. At one point, a Gallup poll found that 68 percent of Americans believed the government lied to them. All of this happened as the nation, somewhat dispirited, celebrated its bicentennial. Drawing on a vast array of sources, Rick Perlstein captures all of this and more in his sweeping, insightful and richly rewarding The Invisible Bridge: The Fall of Nixon and the Rise of Reagan.
Much like J.K. Rowling and George R.R. Martin, best-selling author Haruki Murakami is the type of writer whose fans queue up at bookstores at midnight, clamoring to be the first to get their hands on his latest book. Unfortunately, people who do not read Japanese have had to wait quite some time to read Murakami’s latest, Colorless Tsukuru Tazaki and His Years of Pilgrimage, which was published to acclaim in Japan in April 2013.
Rene Steinke, a finalist for the 2005 National Book Award for her novel Holy Skirts, makes an awaited return with Friendswood. Located outside of Houston, the town of Friendswood, Texas, is definitely all-American. The citizens are high on religion, high school football and the oil business. But then a hurricane uncovers not just buried toxic chemicals, but secrets and moral ambiguities that are crippling the town.
The siren screaming through Hilo, 16-year-old Leilani’s hometown on Hawaii’s Big Island, is her first warning of coming catastrophe. But she and her father stick to their planned trip from Hilo to Honolulu, where she is to undergo tests for her epilepsy. They fly to the island of Oahu, and that’s when the world veers off course: The president appears on television in a frightened state. Satellite and electrical networks collapse. Commercial airline flights cease. At the same time, Leilani is having epileptic episodes filled with visions of ancient Hawaiian gods.
Once you find true love, life is supposed to lead into a happily ever after—at least that’s what the fairy tales promise. But real life and love come with the risk of real loss, as Holly Jefferson learns just six months after her wedding. Since You’ve Been Gone is a truly bittersweet story about a second chance at love, a debut novel by turns charming, funny, inexpressibly sad, and finally, hopeful.
Nick Harkaway has a strange way of making us feel at home as readers even when we are in a decidedly strange place, of immersing us in something new and somehow making it feel familiar at the same time. With Tigerman, he again spellbinds with witty prose and inviting characters while taking us into a world that needs an unexpected hero.