Families come in all forms. Ame Dyckman’s new picture book, illustrated by Zachariah OHora, is all about the most unlikely new family member for a bunny family of three. They arrive home one day, surprised to find a bundle on their front stoop—and it’s none other than a baby wolf.
Just when you think you’re being guided by an omniscient narrator, author-illustrator Julia Sarcone-Roach throws you a curveball in this very funny picture book about the art of misdirection.
It’s not often that you see class addressed in picture books in ways that are subtle and seamless, but Last Stop on Market Street, the affectionate story of a young boy and his grandmother, does just that.
With expertly crafted, economical text and vivid photographs, April Pulley Sayre brings readers a tribute to the wonders of rain itself.
In this ode to the natural world, the talented George Ella Lyon documents in lyrical free verse the wonders of a forest as the Earth travels through space around the sun and goes from cold to warm and back to cold again.
Though both the author and illustrator of A Possum’s Tail have worked with British children’s magazine OKIDO—Gabby Dawnay is a regular contributor, and Alex Barrow is the art director—this is their first picture book collaboration. It’s offbeat and endearing, so don’t be surprised if children ask for multiple reads.
Jim Aylesworth’s and Barbara McClintock’s satisfying new book is based on the Yiddish folk song “I Had a Little Overcoat,” which has been adapted to picture book form in various ways over the years, most notably in Simms Taback’s 2000 Caldecott Medal winner, Joseph Had a Little Overcoat. Here, author and illustrator make the story their own. It’s a pleasing new adaptation of a treasured story.
If you ever find yourself wanting to explain to a child what the phrase “snowball effect” means, pick up a copy of David Mackintosh’s Lucky to aid your cause.
In what has to be the best-named picture book of the year, Newbery Medalist Patricia MacLachlan brings readers the story of the young Henri Matisse and his childhood inspirations, with eye-catching illustrations from Hadley Hooper.
Friends can come from the most unlikely places. In the case of Marla Frazee’s tender wordless story, The Farmer and the Clown, that place is from the back of a circus train in the middle of nowhere.