“Down a path worn into the woods, past a stream and a hollowed-out log full of pill bugs and termites, was a glass coffin . . . and in it slept a boy with horns on his head and ears as pointed as knives.” So begins Holly Black’s exquisite story about siblings Hazel and Ben and the sleeping faerie prince they swore to protect. When Hazel and Ben were children, they would disappear into the forest, whisper their secrets to the horned boy and protect unsuspecting humans from the evil faeries. Ben subdued them with his haunting music, while Hazel wielded a sword against the sinister fae who lured tourists to their deaths. As they grew older, Hazel put away her sword and Ben gave up his music. But then one day the horned boy woke up. Hazel, now 16, once made a bargain with the fae, and they’ve come to collect.
Ember is a dragon. Her life has been spent at an isolated training school run by Talon, the organization that governs all dragons. To fulfill the next stage of training—assimilation into human society—Ember and her brother, Dante, must assume human form.
Gregory Maguire steps out of Oz and into Tsarist Russia in this magical twist on the classic prince and the pauper folk tale.
In the summer of 1976, 19-year-old David Barwise takes a job at a holiday resort in the seaside town of Skegness, England, hoping to avoid spending the summer with his mother and stepfather. But there is something more sinister underlying David’s reasoning: The beach resort is where his biological father died 15 years earlier, and David feels strangely drawn to the area, despite the tension it causes within his family.
Nick Harkaway has a strange way of making us feel at home as readers even when we are in a decidedly strange place, of immersing us in something new and somehow making it feel familiar at the same time. With Tigerman, he again spellbinds with witty prose and inviting characters while taking us into a world that needs an unexpected hero.
Erika Johansen’s new novel, The Queen of the Tearling, uses a familiar fantasy premise: a special child—a chosen one, if you will—is born, and then hidden from those with murderous intent. As the book opens, it is 19 years later, and the time has come for Kelsea Glynn, the rightful queen of a benighted land, to leave hiding and assume her throne.
There are all kinds of lies and prevarications in the aptly titled The Kiss of Deception, the new book from award-winning author Mary E. Pearson. Princess Arabella Celestine Idris Jezelia (or Lia, as she prefers to be called), First Daughter of the House of Morrighan, does not want to marry the unseen prince from a neighboring country. Lia—accompanied by her lady’s companion, Pauline—forsakes her parents’ wishes and runs away on her wedding day.
In his first novel, The String Diaries, British author Stephen Lloyd Jones has created both an innovative storyline and a new creature to fear. The secret to overcoming this monster lies within one family’s weathered, string-tied diaries, which contain meticulously compiled stories, research and theories. But what is it that hunts this family, and why?
With books meant for younger readers, it can be far too easy to tell where a story is going. There are certain tropes that telegraph the ending, like evil being vanquished, the protagonist struggling with a quest and so on. One of the best things about Rebecca Hahn’s A Creature of Moonlight is that the story doesn’t go where you think it might, and yet it still flows naturally.
Mermaid princess Serafina is nervous. Today’s the day she’ll prove herself a true descendant of her famous ancestor Merrow in the royal family’s traditional Dokimí ceremony. She’ll demonstrate her worthiness to rule through “songcasting” a complex musical spell, and the day will end with her formal betrothal to the handsome but rebellious crown prince Mahdi.