Life may not be going according to plan for Ceinwen Reilly, but she’s determined to find the cinema-worthy thread in her 1980s Lower East Side life. That may be easier said than done, given her retail job at a vintage shop and her shabby Avenue C apartment.
The Settlement is a community of about 100 people who live outside of the view of the rest of America, tucked away on a patch of land near Egypt, Maine. This curious collective, the focus of Carolyn Chute’s latest novel, Treat Us Like Dogs and We Will Become Wolves, is not altogether unlike the one inhabited by Chute herself. The author and her husband live off the grid in Parsonfield, Maine, where they run the 2nd Maine Militia and rely on the community around them for sustenance.
Who is Sean Phillips? And how did he end up like this? That’s the central conceit of John Darnielle’s Wolf in White Van, a compact but wide-ranging novel that follows -Sean’s development from unpopular teenager to reclusive adult.
It’s 7 a.m. on December 23, and Madeleine Altimari is shimmying. In 30-second intervals, the girl attempts to perfect her moves, pausing in between for a quick drag from a cigarette. After each interval, she rates her work on a school-letter scale. She has yet to check off the day’s other rehearsal tasks: singing, scales, guitar.
Emily Gould has built a career as a blogger for her own Emily Magazine and Gawker, as well as the part owner of Emily Books. She is also author of the memoir, And the Heart Says Whatever. With her first novel, Friendship, Gould turns her eye toward the spectacle of female adulthood friendships.
Richard Haddon has screwed up royally with his wife, and he’ll do anything to get her back.
Richard, a British contemporary artist, met his near-perfect French wife while enrolled at the Rhode Island School of Design. From the moment he spotted Anne-Laure de Bourigeaud, Richard was convinced that she was the woman for him.
In Vintage, author and secondhand store enthusiast Susan Gloss weaves together the lives of three very different women in a story filled with humor and heart.
Violet Turner, the 30-something proprietor of Hourglass Vintage, has a passion for making something out of the hand life has dealt.
In the latest novel by accomplished author Jean Hanff Korelitz (Admission, A Jury of Her Peers), which shares the title of its main character’s book, relationship challenges raise questions of how often we really know what’s best, whether living the life we’ve envisioned necessarily means we’re living it right, and how we overlook our instinctive responses to the people we meet.
If we’re all stars in the stories of our own lives, then the people we pass on the street, in the elevator or in the park are extras. And when those stories are lived out in the apartments, coffee shops and streets of New York City, there are an awful lot of extras. Although New York residents often feel anonymous among the city’s millions, proximity means their lives repeatedly brush against one another’s.
“Rebecca Winter” remains a household name, thanks to the iconic photograph “Still Life with Bread Crumbs” that catapulted her art career into the public eye. But Rebecca Winter, the person, has changed significantly in the decades since she captured that domestic image of her kitchen counter after her husband and son retired for the evening. She’s no longer married, for one. And it’s been so long since she made a significant sale that she can no longer afford the upscale Manhattan apartment that contains the kitchen immortalized in that famous picture.