Home Is Burning is perhaps the funniest book about dying I’ve ever read. Dan Marshall deftly chronicles the months he and his four younger siblings dealt with the terminal illness of not one but both of their parents. His beloved father, Bob, has held the family together for more than a decade while his mom, Debi, fights non-Hodgkin’s lymphoma. So when Bob is diagnosed with ALS (Lou Gehrig’s disease), it’s a punch in the gut for a family already dealing with bad news.
“Gorgeous hair is the best revenge,” said Ivana Trump, she of the platinum blonde, sky-high hair. Hair as tool of revenge, as obsession, as embarrassment, as source of pride: Why does a long string of protein absorb so much of our attention?
Call it the male answer to Eat, Pray, Love.
Christie Brinkley, Cheryl Tiegs, Jean Shrimpton, Christy Turlington, Naomi Campbell: Name a famous model, and more likely than not, she was once represented by Eileen Ford, who started her eponymous modeling agency with husband Jerry in 1947 and built it into an international powerhouse.
Blonde, svelte, former Miss America, musical prodigy, successful news anchor on national network with a hot husband: I was, quite honestly, prepared to hate (or at least strongly resent) Gretchen Carlson. But darn it if she didn’t charm me from the first page of Getting Real, her memoir of growing up wholesome in Minnesota.
Photojournalist Lynsey Addario has reported for the New York Times and other media from the frontlines in the war on terror and the Arab Spring. In her vivid memoir, It's What I Do: A Photographer's Life of Love and War, Addario shows what it’s like to put oneself in danger in search of images to help the world understand life in a war zone.
Andie Mitchell had been overweight for as long as she could remember. But cutely plump as a school-age kid became morbidly obese at age 20, when she weighed nearly 300 pounds. Growing up with a depressed, alcoholic father and a mother who worked round the clock to pay the bills, Mitchell grew to view food—any food—as her friend and companion.
When Meghan Daum published her first collection in 2001—the brilliant My Misspent Youth—her fresh, honest musings as a Manhattan 20-something immediately made her the envy of a generation of aspiring writers.
One of the first artists featured in Sarah Thornton’s fascinating 33 Artists in 3 Acts is American Jeff Koons, who tells her that he never wants people to feel small when they view his art. Clearly Thornton ascribes to a similar principle. In this witty, smart follow-up to her 2008 bestseller, Seven Days in the Art World, Thornton generously cracks the sometimes perplexing code of modern art.
When we think about technology and innovation, the names that come to mind immediately are Bill Gates and Steve Jobs—maybe Steve Wozniak or Paul Allen for the more hard-core geeks among us.