We’ve all been there, wondering late at night: Is that tap-tap-tap sound we’re hearing coming from the radiator pipes, or are those footsteps on the stairs? For Evie Jones, the cub reporter and amateur sleuth at the center of Elisabeth de Mariaffi’s chilling psychological thriller, anxious moments like these have become a way of life. The Devil You Know takes readers on a rollercoaster ride through Evie’s desperate efforts to rid herself of the childhood horrors that have followed her into adulthood.
Of the dramatic plot twists that routinely occur in suspense fiction, one character in Harriet Lane’s Her complains that they are “unsatisfying . . . nothing like life, which—it seems to me—turns less on shocks or theatrics than on the small quiet moments, misunderstandings or disappointments, the things that it’s easy to overlook.” Lane’s novel, in which a vengeful woman infiltrates the life of an old acquaintance, features many potential shocks. But Her eschews cheap drama, instead building suspense by shedding light on two women’s inner worlds.
It’s no easy feat to cast a German who admits to cheering Hitler’s election as the lead detective in a murder mystery. But readers quickly discover that little is as it seems in this dark historical thriller based on an actual gruesome crime spree that shook Nazi Germany in the months before the U.S. entered World War II.
Tim Johnston’s latest novel has an unusual take on the parent’s-worst-nightmare scenario of child abduction. He doesn’t focus so much on the abductee, Caitlin Courtland, but instead on what Caitlin’s disappearance does to the men in her life.
Mr. Heming, the narrator of A Pleasure and a Calling, is more than an uninvited guest: He’s the guest you never knew you had. Channeling the socially detached and unnerving personality of Nabokov’s Humbert Humbert, Phil Hogan creates a character that will inspire intrigue as well as ire.
Stephen King is really good at acknowledging the human grief that underlies so much horror, and how that grief can twist a person into something monstrous—Pet Sematary, anyone? This is one of the themes of his new hair-raiser, Revival.
The Killer Next Door is the second thriller by Alex Marwood (aka Brit novelist Serena Mackesy), whose first novel, The Wicked Girls (2013), won an Edgar for Best Paperback Original.
This fast-paced and gripping novel is part thriller, part crime story, part mystery. It tells the story of Bobby Drake, a deputy sheriff in a small Pacific Northwest town trying to outlive the sins of his larger-than-life father, Patrick. He is doing a good job of it, until his father is let out of prison and the cycle of crime and violence begins again—threatening the peaceful existence Bobby has created.
After 117 years of operation, the Preston Youth Correctional Facility in Ione, California, shuttered its doors forever. Inspired by lives rebuilt and destroyed by the school, Peyton Marshall’s Goodhouse imagines an alternate future in which the school never closed—and juvenile corrections are based not on past behavior, but genetic makeup.
If ever a book were tailor-made for a David Fincher movie adaptation (Se7en, Zodiac, etc.), it’s Lauren Beukes’ latest dark, genre-bending mystery.