Chloe was born a teenager and will always be one. Like her sisters, the middle-aged Serena and the elderly Xinot, she exists only to spin, measure and cut the threads of human lives. Chloe and her sisters are the Fates of Greek mythology, living and working on an island far from human entanglements—until a desperate teenage girl, Aglaia, seeks shelter in the Fates’ home.
I admit it: In junior high I had the soundtrack from Les Misérables on permanent replay. I saw the musical on Broadway and even read the unabridged book by Victor Hugo, all 1,500 pages of it. So when I heard that adult author Susan E. Fletcher’s debut YA novel would retell this classic novel from Eponine’s point of view, I jumped at the chance to review it.
Three intersecting narratives combine in this spinoff to Morgan Rhodes’ best-selling Falling Kingdoms series.
Ever since her father died in a plane crash two years ago, Eva’s ability to write poetry has dried up, and much to her feminist mother’s frustration, she’s begun gobbling up poorly written romance novels. So when real romance comes into her life, in the form of the enigmatic senior Will, Eva’s more than ready for the happiness that comes from mooning looks and stolen kisses.
YA novels have been written in the form of letters, diary entries, text messages . . . and now, in a long-anticipated follow-up to John Green and David Levithan’s collaboration Will Grayson, Will Grayson, the script of a musical theater production. In Green and Levithan’s original book, the 16-year-old openly gay, bodily large and ironically named “Tiny” Cooper writes and directs a musical, which fans now have the chance to read in its entirety.
African-American twins Maya and Nikki and their neighbor Essence have always had their lives completely planned. They’ll date the right boys, attend historically black all-female Spelman College and be best friends forever.
Comparing a new young adult author to superstar John Green is risky business. Fans of Green’s work are bound to bring a certain set of expectations to their next read—expectations that All the Bright Places by Jennifer Niven meets and even exceeds.
Marcus Sedgwick’s latest offering is the perfect book for readers who are still pondering the multiple paths in his Printz Award-winning Midwinterblood and are seeking something new to captivate and astound them.
With a contract for her first YA novel in hand, recent high school graduate Darcy Patel puts college on hold and moves to New York City. But living and writing in the city turn out to involve more than just hobnobbing with the publishing community. She also needs to find (and furnish) an apartment, stick to a budget . . . and navigate her first romantic relationship.
The last thing Emily Bird remembers is the party. It should have been just another networking event to connect prep-school students with internships and Ivy League acceptances, especially within the elite Washington, D.C., African-American community. But when Bird wakes up days later in a hospital room, she knows she’s forgotten something important about that night. That feeling is further reinforced when mysterious messages begin hinting that she knows a secret about a deadly terrorist-linked flu virus that’s recently reached pandemic proportions.